The MacKintosh Man
The MacKintosh Man

The MacKintosh Man (1973)

6.1 ? Aug 01, 1973 1h 39m

Overview

A member of British Intelligence assumes a fictitious criminal identity and allows himself to be caught, imprisoned, and freed in order to infiltrate a spy organization and expose a traitor; only, someone finds him out and exposes him to the gang...

Genres

Thriller

Release Date

August 01, 1973

Rating

6.1 /10

Runtime

1h 39m

Official Trailer from YouTube

Paul Newman

Paul Newman

Rearden

Dominique Sanda

Dominique Sanda

Mrs. Smith

James Mason

James Mason

Sir George Wheeler

Harry Andrews

Harry Andrews

Mackintosh

Ian Bannen

Ian Bannen

Slade

Michael Hordern

Michael Hordern

Mr. Brown

Nigel Patrick

Nigel Patrick

Soames-Trevelyan

Peter Vaughan

Peter Vaughan

Brunskill

Roland Culver

Roland Culver

Judge

Percy Herbert

Percy Herbert

Taafe

Robert Lang

Robert Lang

Jack Summers

Jenny Runacre

Jenny Runacre

Gerda

John Bindon

John Bindon

Buster

Hugh Manning

Hugh Manning

Prosecutor

Wolfe Morris

Maltese Police Commissioner

Noel Purcell

Noel Purcell

O'Donovan

Donald Webster

Donald Webster

Jervis

Keith Bell

Palmer

Niall MacGinnis

Niall MacGinnis

Warder

Eddie Byrne

Eddie Byrne

Fisherman

John Chard avatar

John Chard

7.0/10

Feb 12, 2014

Spy Vs Spy. The Mackintosh Man is directed by John Huston and adapted to screenplay by Walter Hill and William Fairchild from The Freedom Trap written by Desmond Bagley. It stars Paul Newman, Dominique Sanda, Ian Bannen, James Mason, Michael Horden and Harry Andrews. Music is by Maurice Jarre and cinematography by Oswald Morris. Spy shenanigans unbound as Newman plays Joseph Rearden, a hired agent for the British Intelligence who pulls a job on the orders of The Mackintosh Man (Andrews), and finds himself sent to prison for 20 years. But this is all part of a greater plan… A well performed and serviceable drama, if a bit of a let down come the final third. The most fun and intrigue comes about once Rearden enters prison and the initial part of plotting once he is broken out, then it sort of loses its way, trying to make a simple story more intricate than it is. There’s good mystery viewing to be found in working out the means and motives of the major players, and there’s no shortage of action and sizzle either as Rearden is thrust into a world of espionage and counter espionage. There’s a ream of suspicious accents to ignore and Jarre’s musical score tries to reach the heights of Anton Karas’ work on The Third Man, but fails and just comes off as a cheap repetitive attempt at a homage. More caper movie than intellectual thriller, it’s never less than watchable and the cast are good value for your time. 7/10

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