The Way of the Dragon
The Way of the Dragon

The Way of the Dragon (1972)

7.4 ? Dec 30, 1972 1h 40m

Overview

After a Chinese restaurant in Rome is threatened by the mafia, who will stop at nothing to acquire the property, the owner recruits a family friend in Hong Kong, kung fu expert Tang Lung, to help them defend their business.

Genres

Action Crime

Release Date

December 30, 1972

Rating

7.4 /10

Runtime

1h 40m

Official Trailer from YouTube

Bruce Lee

Bruce Lee

Tang Lung

Nora Miao

Nora Miao

Chen Ching Hua

Chuck Norris

Chuck Norris

Colt

Wei Ping-ao

Wei Ping-ao

Ho

Huang Tsung-Hsun

Huang Tsung-Hsun

'Uncle' Wang

Robert Wall

Robert Wall

Fred

Hwang In-shik

Japanese Fighter

Chin Ti

Ah Quen

Tony Liu

Tony Liu

Tony

Little Unicorn

Little Unicorn

Jimmy

Malisa Longo

Malisa Longo

Italian Beauty

Wu Ngan

Waiter

Robert Chan Law-Bat

Robert Chan Law-Bat

Robert

Fu Ching Chen

Fu Ching Chen

Robert

Jon T. Benn

Jon T. Benn

The Boss

John Kenny

Quen (voice)

Robert Baker

Thug (uncredited)

Riccardo Billi

Riccardo Billi

Bank Manager (uncredited)

Russell Cawthorne

Man at Airport (uncredited)

Franz Colangeli

Franz Colangeli

Man at Airport (uncredited)

CinemaSerf avatar

CinemaSerf

6.0/10

Dec 17, 2024

You can certainly see that the camera loved the charismatic Bruce Lee in this otherwise rather predicable action adventure. He's the young "Tang" who arrives in Rome from Hong Kong to help out in a family restaurant that's under siege from the local mafia who want the premises for themselves. His arrival is quite timely as his adeptness with Kung Fu helps him to eradicate the local enforcers with comfortable ease. In the end they decide to get serious - perhaps the building is on an oil well, or something, so draft in the legendary "Colt" (Chuck Norris) who has the young upstart "Tang" firmly in his sights. There is astonishing agility on display here from an array of experts in this, and other, martial arts that showcase their athleticism and fleetness-of-foot using hands, improvised weapons, balance and precision to exhibit the artistic elements of this deadly form of combat really well. Away from those precisely staged activities, though, the rest of this is a rather ordinarily constructed drama that makes as much of visionary director Lee's limitations as an actor as it extols his skills as a fighter. Essentially, we can live without many of the first eighty minutes, especially the romantic interludes which come across as particularly wooden, and just settle down for a denouement that would have had Nero himself gripped from his throne in the ancient Coliseum.

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