To the Manor Born
To the Manor Born

To the Manor Born (1979)

6.9 ? Sep 30, 1979 3 Season(s)

Overview

Sitcom about the love-hate relationship between upper-class Audrey fforbes Hamilton and Richard DeVere, the nouveau rich businessman who buys her manor house when she can no longer afford to keep it.

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Official Trailer from YouTube

Peter Bowles

Peter Bowles

Richard DeVere

Penelope Keith

Penelope Keith

Audrey fforbes-Hamilton

Angela Thorne

Angela Thorne

Marjory Frobisher

Daphne Oxenford

Daphne Oxenford

Mrs. Polouvicka

Michael Bilton

Michael Bilton

Ned

Gerald Sim

Gerald Sim

The Rector

John Rudling

Brabinger

Daphne Heard

Mrs. Polouvicka

CinemaSerf avatar

CinemaSerf

Feb 23, 2022

Fresh from her success in the BBC sitcom "The Good Life", Penelope Keith ("Audrey") is the lady of "Grantleigh" - a Gloucestershire stately pile she shares with husband "Martin". The first of the 22 episodes informs us that he has died, and that her world is about to be turned upside down. He squandered all the "fforbes-Hamilton" family money and she is going to have to sell up! The auction ensues and this estate, which they have managed for 400-odd years, ends up in the hands of a self-made millionaire Czech immigrant "Richard de Vere" (Peter Bowles) who made his money in supermarkets. Imagine - it's almost sacrilegious to her! Anyway, the remainder of the series' depict their constant sparring; she the superior, broke, aristocrat; he the nouveau riche upstart. Essentially a two hander, there are a couple of fun foils: "Marjorie" (Angela Thorne) her down-trodden best friend; her stoic butler "Brabinger" (John Rudling) and his mother, the wonderful Daphne Heard ("Mrs. Polouvicka") who has an old Czechoslovakian saying for every situation, and they all keep the well written comedy flowing well. It's a very British thing, this - I doubt if the humour will travel particularly well, but at the time up to 24 million of us watched their drama unfold. The combination of snobbery, pomposity and witty repartee from the pen of Peter Spence really clicks. The characters, gently stereoptyped as they are, work really well with a sophistication that endures still.

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