Small, Slow But Steady
Small, Slow But Steady

Small, Slow But Steady (2022)

7.0 ? Dec 16, 2022 1h 39m

Overview

A hearing-impaired woman with dreams of becoming a professional boxer due to the pandemic is threatened closure of her boxing club and the illness of its ageing president, who has been her biggest supporter, push her to the limit.

Genres

Drama

Release Date

December 16, 2022

Rating

7.0 /10

Runtime

1h 39m

Official Trailer from YouTube

Yukino Kishii

Yukino Kishii

Keiko Ogawa

Tomokazu Miura

Tomokazu Miura

Katsumi Sasaki

Masaki Miura

Masaki Miura

Makoto Hayashi

Shinichiro Matsuura

Shinichiro Matsuura

Shintaro Matsumoto

Himi Sato

Himi Sato

Seiji Ogawa

Hiroko Nakajima

Hiroko Nakajima

Kiyomi Ogawa

Nobuko Sendo

Nobuko Sendo

Chiharu Sasaki

Nana Nakahara

Nana Nakahara

Hana

Tomomitsu Adachi

Tomomitsu Adachi

Reporter

Yutaka Shimizu

Yutaka Shimizu

Police officer

Jotaro Tozuka

Junior colleague

Ryutaro Yasumitsu

Ryutaro Yasumitsu

Ryutaro

Makiko Watanabe

Makiko Watanabe

Ms. Goto

Yuko Nakamura

Yuko Nakamura

Doctor

Takaya Shibata

Takaya

Junpei Hashino

Trainee

Yudai Ishibashi

Trainee

Yoshinori Miyata

Yoshinori Miyata

Trainee

Ruruka Minami

Eri Nagai

Eri Nagai

CinemaSerf avatar

CinemaSerf

7.0/10

Sep 19, 2025

The deaf young “Keiko” (Yukino Kishii) has been taking comfort from her boxing since she was a child and already has two competitive bouts under her belt. With a constant stream of urban racket surrounding her, she lives in a world of silence where her only sounds are those imaginary ones created within her head. With her next competition looming, she learns that change is coming. Her fiercest critic; long-term supporter and ageing boss of her soon to close down gym (Tomokazu Miura) is suffering from failing health and as he loses his sight she must reconcile that she is to lose that oasis that has sustained and inspired her for so long. “Keiko” is not without her demons, and now facing some profound changes to her established routine, she must try to come to terms with her previous decisions and with how they should (or shouldn’t) shape her future. This is set at a time when COVID was rampant, so her abilities to lip-read are curtailed by the mask-wearing population rendering her even more isolated amidst a community who see no visible impairment and so leap to ill-informed judgements about a woman whose abilities to express herself in the more conventional methods are restricted - and Kishii delivers a really quite poignant performance here. Her characterisation of a woman confident, after a fashion, only in the ring but otherwise cutting a shy and almost reticent figure in the real world is touching - but not sentimentally. You can empathise with the difficulties of her efforts to thrive in a world where her disability sets her apart, but I never felt sorry for her. She has a decency to her that she is loathe to compromise despite her limiting options and her dead-end job as a cleaner is not going to be her future. As she seeks out a new place to train we discover that she is not a woman to be willingly constrained by any sense of “comfort zone” and with some intimate photography throughout, we get a slight sense of being under her skin just as she begins to engagingly get under ours. It’s a slow burn, and it’s an incomplete documentary-style look at this crossroads in her life - but I found that just added to the authenticity as her story continues unfolds before us revealing elements of her tenacity and showcasing societal attitudes that are complicated.

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