Knight Without Armour
Knight Without Armour

Knight Without Armour (1937)

5.6 ? Jul 23, 1937 1h 40m

Overview

British agent working in Russia is forced to remain longer than planned once the revolution begins. After being released from prison in Siberia he poses as a Russian Commissar. Because of his position among the revolutionaries, he is able to rescue a Russian countess from the Bolsheviks.

Genres

History Drama Adventure Romance

Release Date

July 23, 1937

Rating

5.6 /10

Runtime

1h 40m

Official Trailer from YouTube

Marlene Dietrich

Marlene Dietrich

Countess Alexandra Vladinoff

Robert Donat

Robert Donat

Ainsley J. Fothergill / Peter Ouronov

Irene Vanbrugh

Irene Vanbrugh

Duchess of Zorin

Herbert Lomas

Herbert Lomas

General Gregor Vladinoff

Austin Trevor

Austin Trevor

Col. Adraxine

Basil Gill

Basil Gill

Axelstein

David Tree

David Tree

Alexis Maronin

John Clements

John Clements

Poushkoff

Frederick Culley

Frederick Culley

Stanfield

Laurence Hanray

Forrester

Dorice Fordred

The Maid

Franklin Kelsey

Tomsky

Laurence Baskcomb

Commissar

Hay Petrie

Hay Petrie

Station Master

Miles Malleson

Miles Malleson

Drunken Red Commissar

Allan Jeayes

Allan Jeayes

White General

Lyn Harding

Lyn Harding

Bargee

Raymond Huntley

Raymond Huntley

White Officer

CinemaSerf avatar

CinemaSerf

7.0/10

Jun 20, 2022

Now you've got to keep an eye on the plot in this little espionage/counter espionage thriller as Robert Donat is a Brit sent to spy on the Bolsheviks and gets caught up in all sorts of shenanigans that lands him in Siberia until 1917 when, amidst all the chaos he alights upon the beautiful "Countess" (Marlene Dietrich) and both have to try and get the hell out of a rapidly imploding Russia. The two stars gel quite well, once they start sharing scenes together and although the story follows a pretty well trodden path, the two , together with a few familiar faces from British cinema (John Clements, Irene Vanbrugh and a rather good, drunken, Miles Malleson) manage to keep this slightly over-long escape story going. Harry Stradling's photography re-creates well the coldness of the Russian climate (from Buckinghamshire!) and the eeriness and devastation of a messy, brutal revolution and Lajos BirĂ³'s adaptation of the novel keeps pretty much to the plot.

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