Gone
Gone

Gone (2012)

6.2 ? Feb 23, 2012 1h 34m

Overview

Jill Conway is trying to rebuild her life after surviving a terrifying kidnapping attempt. Though she is having a difficult time, she takes small steps toward normalcy by starting a new job and inviting her sister, Molly, to move in with her. Returning home from work one morning, Jill discovers that Molly has vanished, and she is certain that the same man who previously abducted her has returned for revenge.

Genres

Thriller Drama

Release Date

February 23, 2012

Rating

6.2 /10

Runtime

1h 34m

Official Trailer from YouTube

Amanda Seyfried

Amanda Seyfried

Jill Conway

Daniel Sunjata

Daniel Sunjata

Powers

Wes Bentley

Wes Bentley

Peter Hood

Michael Paré

Michael Paré

Lt. Ray Bozeman

Jennifer Carpenter

Jennifer Carpenter

Sharon Ames

Sebastian Stan

Sebastian Stan

Billy

Emily Wickersham

Emily Wickersham

Molly Conway

Nick Searcy

Nick Searcy

Mr. Miller

Socratis Otto

Socratis Otto

Jim LaPointe

Joel David Moore

Joel David Moore

Nick Massey

Kate Moennig

Kate Moennig

Erica Lonsdale

Sam Upton

Sam Upton

Officer McKay

Ted Rooney

Ted Rooney

Henry Massey

Erin Carufel

Erin Carufel

Officer Ash

Amy Argyle

Amy Argyle

Tanya Muslin

Susan Hess

Susan Hess

Dr. Mira Andrews

Jeanine Jackson

Jeanine Jackson

Mrs. Cermak

Hunter Parrish

Hunter Parrish

Try

Blaine Palmer

Blaine Palmer

Conrad Reynolds

Victor Morris

Victor Morris

Officer Dubois

John Chard avatar

John Chard

5.0/10

May 11, 2014

Kidnap Thriller 101. Sarcastic Spoilers Within Review. Off the bat lets say it, Gone is not a very bad movie, it has the requisite mystery elements, Amanda Seyfried makes for an engaging lead as the once kidnapped girl who nobody seems to believe, the cinematography (Michael Grady) is high quality and there's some decent moments of chills along the way. Unfortunately the film just exists as a case of unadventurous screenplay writing. Gone is written by Allison Burnett, who writes it like some homework assignment set by a bored lecturer at a film studies class. Everything about it is rank and file what you have seen a million times before in this type of genre offering. A bunch of characters file in for cameos under the guise of red herrings, while our spunky heroine single handedly out-foxes the whole of the Portland police force, while naturally evading capture at every juncture. Everyone but Seyfried's character are just on the periphery of things, where the likes of Wes Bentley and Jennifer Carpenter stand around hoping for the script to give them something worthwhile to do. In fact Carpenter's character is a set up for a late plot development, only for it to be the last we see of her, which is just bizarre in hindsight. Then the "big" finale arrives and the serial killer/kidnapper arrives and gets afforded the same "none" time as everyone else. Nothing remotely original here, sadly. It serves decent enough as a time filler, but once the hopelessly weak finale plays its hand, you may come away asking yourself this question, why do films like this continually get green lit by studios when they have nothing more to offer other than putting another title on a budding actor's CV? 5/10

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The Movie Mob avatar

The Movie Mob

6.0/10

Aug 19, 2022

**Overall : Could it have been better? Sure. Was it awful? No.** If you checked out the reviews for this movie elsewhere, you read that it is an absolute piece of garbage. And that just isn't true. It's a run-of-the-mill thriller with a very good performance by Amanda Seyfried as the main character that ends a little differently than expected. I enjoyed guessing who the killer was as the movie offered multiple red herrings to throw you off. Not one that I would say rush out to watch, but if you got a random need to watch a decent b-movie thriller, then maybe check this one out?

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