The L-Shaped Room
The L-Shaped Room

The L-Shaped Room (1962)

6.8 ? Nov 20, 1962 2h 6m

Overview

Jane is young, French, pregnant and unmarried. Bucking convention, she is uninterested in settling with her baby's father or getting an abortion. After renting a room in a dingy London boarding house, Jane befriends the odd group of inhabitants and starts an affair with one boarder, Toby. As Jane's pregnancy threatens her new relationship, and the reality of single motherhood approaches, she is forced to decide what to do about both her baby and her budding romance.

Genres

Drama Romance

Release Date

November 20, 1962

Rating

6.8 /10

Runtime

2h 6m

Leslie Caron

Leslie Caron

Jane Fosset

Tom Bell

Tom Bell

Toby

Brock Peters

Brock Peters

Johnny

Bernard Lee

Bernard Lee

Charlie

Avis Bunnage

Avis Bunnage

Doris

Patricia Phoenix

Patricia Phoenix

Sonia

Cicely Courtneidge

Cicely Courtneidge

Mavis

Verity Edmett

Jane II

Anthony Booth

Anthony Booth

Youth in Street

Harry Locke

Harry Locke

Newsagent

Ellen Dryden

Ellen Dryden

Girl in Newsagent's

Emlyn Williams

Emlyn Williams

Dr. Weaver

Jennifer White

Jennifer White

Monica

Gerry Duggan

Gerry Duggan

Bert

Joan Ingram

Joan Ingram

Woman in Park

Mark Eden

Mark Eden

Terry

Stanley Morgan

Waiter in Club

Gerald Sim

Gerald Sim

Doctor in Hospital

Pamela Sholto

Nurse

Ruth Burns

Nurse

CinemaSerf avatar

CinemaSerf

7.0/10

Nov 06, 2022

Leslie Caron is really good in this rather quirky tale of a French lass who, pregnant, takes up residence in a pretty grotty London boarding house. Initially wary of the other "guests", "Jane" befriends aspiring writer"Toby" (Tom Bell) and the film depicts her lively relationship with him and her assimilation into this curious group of individuals whom she gradually begins to get used to. There are two things that help this stand out. The photography - it is intimate and very effective; and the use of the Brahms Piano Concerto which is as effective as any of the, frequently potent, dialogue. Caron is in her element here, her performance is confident and engaging. Tom Bell contributes strongly, as do Avis Bunnage and Patricia Phoenix, and there is something quite uplifting about Bryan Forbes' take on this outwardly rather depressing tale of solitude and abandonment. It sags just a bit in the middle with perhaps a more judicious pruning of the character establishment in order at the start, but it does hold the attention well for two hours and deals with adult topics in a remarkably - for the time - frank and plausible fashion.

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