After Ever Happy
After Ever Happy

After Ever Happy (2022)

6.8 ? Aug 24, 2022 1h 35m

Overview

As a shocking truth about a couple's families emerges, the two lovers discover they are not so different from each other. Tessa is no longer the sweet, simple, good girl she was when she met Hardin — any more than he is the cruel, moody boy she fell so hard for.

Genres

Romance Drama

Release Date

August 24, 2022

Rating

6.8 /10

Runtime

1h 35m

Official Trailer from YouTube

Josephine Langford

Josephine Langford

Tessa Young

Hero Fiennes Tiffin

Hero Fiennes Tiffin

Hardin Scott

Carter Jenkins

Carter Jenkins

Robert

Louise Lombard

Louise Lombard

Trish Daniels

Chance Perdomo

Chance Perdomo

Landon Gibson

Rob Estes

Rob Estes

Ken Scott

Arielle Kebbel

Arielle Kebbel

Kimberly "Kim" Vance

Stephen Moyer

Stephen Moyer

Christian Vance

Mira Sorvino

Mira Sorvino

Carol Young

Frances Turner

Frances Turner

Karen Scott

Kiana Madeira

Kiana Madeira

Nora

Atanas Srebrev

Atanas Srebrev

Richard Young

Anton Kottas

Anton Kottas

Smith Vance

Emmanuel Todorov

Emmanuel Todorov

Mike

Velizar Nikolaev Biney

Dr. West

Franklin Kendrick

Young Hardin

Ana Ivanova

Ana Ivanova

Emery

Tosin Thompson

Tosin Thompson

Janine

Jordan Peters

Jordan Peters

Mark

Jack Bandeira

Jack Bandeira

James

CinemaSerf avatar

CinemaSerf

5.0/10

Oct 21, 2022

This is just the gift that keeps on giving... Only thing is, once you take the admittedly attractive wrapping from the box, the present is empty! This continues the on/off, love/hate, familial discord of "Tessa" (Josephine Langford) and her beau "Hardin" (Hero Fiennes Tiffin). The thrust here (and there is far less actual thrusting in this film than in the others) seems to be to prove that the young lovers are maturing; they are beginning to realise that they are more two peas in a pod than we might have originally considered. This also develops the roles of the parents - especially "Trish" (Louise Lombard) and "Ken" (Rob Estes) as we discover they have plenty of demons of their own, and so frankly it is no real wonder that the weans have grown up quite so dysfunctional. It is hard to know just quite who this film is for. The story is all over the place, the melodrama weak and implausible and the characterisations become less and less engaging as this tiresome and frankly rather boring franchise drags all of their unwanted dirty washing onto the screen. It is also quite difficult to know whom this is relevant too or for, and HFT is as wooden as a board throughout. The production is adequate, clearly these have been made on a modest budget, but the writing is as infantile as the performances. I gather there are more to come - can't wait!

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