Make Haste to Live
Make Haste to Live

Make Haste to Live (1954)

5.8 ? Mar 25, 1954 1h 30m

Overview

A single mother in New Mexico senses her own death in the hands of a mysterious stalker.

Genres

Thriller Mystery

Release Date

March 25, 1954

Rating

5.8 /10

Runtime

1h 30m

Dorothy McGuire

Dorothy McGuire

Crystal Benson

Stephen McNally

Stephen McNally

Steve Blackford

Mary Murphy

Mary Murphy

Randy Benson

Edgar Buchanan

Edgar Buchanan

Sheriff Lafe

John Howard

John Howard

Josh Blake

Ron Hagerthy

Ron Hagerthy

John 'Hack' Hackenthal

Pepe Hern

Rudolfo Gonzáles

Eddy Waller

Eddy Waller

'Spud' Kelly

Carolyn Jones

Carolyn Jones

Mary Rose

Rosa Turich

Juana

Julian Rivero

Carlos

Celia Lovsky

Celia Lovsky

Mother

William Bailey

William Bailey

Ed Jenkins

Argentina Brunetti

Argentina Brunetti

Mrs. Gonzales

Bob Carney

Round-Faced Man

Joseph Vitale

Joseph Vitale

Big Man

Paul Lukather

Paul Lukather

Deputy (as Paul London)

John Chard avatar

John Chard

5.0/10

Nov 29, 2014

Woman in the Fog. Make Haste to Live is directed by William A. Seiter and adapted to screenplay by Warren B. Duff from the novel written by Gordon and Mildred Gordon. It stars Dorothy McGuire, Stephen McNally, Mary Murphy and Edgar Buchanan. Music is by Elmer Bernstein and cinematography by John L. Russell. A gangster is sentenced to prison for killing his wife, but she isn't dead, she's alive and well and raising her daughter in New Mexico. It’s now 18 years later and he’s out of the big house; and he wants revenge! Elmer Bernstein’s superb musical score opens up the picture and Russell uses film noir filters to photograph the gripping opening sequences. It’s a handsome beginning, the promise of a film noir gem is palpable, sadly the entire middle hour is plodding in pacing and ridiculous in plotting. There’s some neat touches, McNally is permanently angry and sinister, which makes for good fun, McGuire works hard to maintain interest, Buchanan’s gruff sheriff steps outside of the norm and the odd scene, such as that involving a fairground, have noirish leanings. The finale as well is of high quality, but patience is tested throughout and there’s the over riding feeling that the cast, Bernstein, Russell and the audience deserve a far better script. 5/10

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