This Special Friendship
This Special Friendship

This Special Friendship (1964)

7.8 ? Sep 04, 1964 1h 36m

Overview

A tale of the tender relationship between a twelve-year-old boy and the fourteen-year-old upperclassman who is the object of his desire, all set within the rigid atmosphere of a Jesuit-run school.

Genres

Drama Romance

Release Date

September 04, 1964

Rating

7.8 /10

Runtime

1h 36m

Francis Lacombrade

Francis Lacombrade

Georges de Sarre

Didier Haudepin

Didier Haudepin

Alexandre Motier

François Leccia

François Leccia

Lucien Rouvière

Dominique Maurin

Dominique Maurin

Marc de Blajean

Louis Seigner

Louis Seigner

Father Lauzon

Michel Bouquet

Michel Bouquet

Father Trennes

Lucien Nat

Lucien Nat

Father Superior

Gérard Chambre

Gérard Chambre

André Ferron

Henri Coutet

Henri Coutet

The employee of the institution

Dominique Diamant

Dominique Diamant

Maurice Motier

Alain-Philippe Malagnac

A student

Bernard Musson

Bernard Musson

Father teaching

Colette Régis

Colette Régis

The nun

CinemaSerf avatar

CinemaSerf

7.0/10

Jan 12, 2024

As love stories go, this has to be one of the more touching I've seen on film. Set amidst the controlling but not oppressive environment of a Jesuit run school, we meet the young "Comte Georges" (Francis Lacombrade) who develops a friendship with the younger "Alexandre (Didier Haudepin). Now it's not in any way a sexual or predatory relationship, but the two instantly click with the younger lad clearly infatuated with his older friend who sees in "Alexandre" an opportunity to nurture a genuine love and affection. Naturally, the fathers take a fairly dim view of any friendship that suggests even the most platonic degree of intimacies between the boys, and so "Fr. Superior" (Lucien Nat) attempts to put a stop to things by threatening to send "George" away from the school. What now ensues are a series of decisions to be faced by people too young and immature to fully comprehend, let alone, rationalise - and a tragic denouement starts to look increasingly likely as young "Alexandre" really does come across more and more as a "lost sheep". What struck me about this is it's positivity. It's not about abusive priests with canes and excessive doctrine - the Father Superior comes across as a decent man genuinely concerned with the souls of his charges, whilst the two - especially the thoroughly charming Haudepin - just engage as two people whom you could image being friends forever. It has moments of poignancy, of disappointment and of fun - and although maybe it could have taken a bit longer to build the characters more, it is still a potent look at two boys in love - forbidden yet thriving.

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