Talk to Her
Talk to Her

Talk to Her (2002)

7.6 ? Mar 15, 2002 1h 52m

Overview

Two men share an odd friendship while they care for two women who are both in deep comas.

Genres

Drama Romance

Release Date

March 15, 2002

Rating

7.6 /10

Runtime

1h 52m

Official Trailer from YouTube

Leonor Watling

Leonor Watling

Alicia

Rosario Flores

Rosario Flores

Lydia

Javier Cámara

Javier Cámara

Benigno

Darío Grandinetti

Darío Grandinetti

Marco

Mariola Fuentes

Mariola Fuentes

Rosa

Geraldine Chaplin

Geraldine Chaplin

Katerina Bilova

Pina Bausch

Pina Bausch

Bailarine

Malou Airaudo

Malou Airaudo

Bailarine

Caetano Veloso

Caetano Veloso

Singer at Party

Roberto Álvarez

Roberto Álvarez

Doctor Vega

Elena Anaya

Elena Anaya

Ángela

Lola Dueñas

Lola Dueñas

Matilde

Adolfo Fernández

Niño de Valencia

Ana Fernández

Ana Fernández

Lydia's Sister

Chus Lampreave

Chus Lampreave

Concierge

Helio Pedregal

Helio Pedregal

Alicia's Father

Paz Vega

Paz Vega

Amparo

Fele Martínez

Fele Martínez

Alfredo

Carmen Machi

Carmen Machi

Enfermera jefe

Agustín Almodóvar

Agustín Almodóvar

Cura

lmao7 avatar

lmao7

8.0/10

Mar 17, 2017

Now this is…really something different like the story and Benigno. I know what he did was so so wrong but I felt bad for him. Such a heartbreaking story and I love how the friendship was formed, although I really didn’t care about the writer and matador. I just couldn’t stop watching this film when I saw it on Sundance, until the ending, like the butt shakin partner dance before the end credits. It may be the music. And of course…Paz Vega’s black and white silent film, the shrinking man who went inside her…literally!

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CinemaSerf avatar

CinemaSerf

7.0/10

Sep 03, 2023

This is a clever exposé of how men deal with their emotions. Marco and Benigno develop a close friendship almost despite themselves - and certainly not because they actually ought to. There is "love" that is unrequited, on-the-rebound and even violent all encompassed within this relatively concise story. Almodóvar hits the gold mine early with this and mines it wonderfully. There are some distinctive moral ambiguities in this film, and the Director makes no apology for that nor does he try to corral us into his (or any other) way of thinking - we have to make our own judgement as to how compassionate and/or forgiving we are at the end.

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