Behind Green Lights
Behind Green Lights

Behind Green Lights (1946)

5.5 ? Feb 15, 1946 1h 4m

Overview

An unscrupulous private investigator with a penchant for blackmail is found dead in a car and the leading suspect is Janet Bradley, the daughter of a mayoral candidate. With the election just weeks away, shady and ruthless individuals muscle the medical officer into switching the corpse with another body. Lieutenant Sam Carson, one of the few good apples in the bunch must find a way to get to the bottom of it all.

Genres

Crime Drama

Release Date

February 15, 1946

Rating

5.5 /10

Runtime

1h 4m

Carole Landis

Carole Landis

Janet Bradley

William Gargan

William Gargan

Lt. Sam Carson

Richard Crane

Richard Crane

Johnny Williams, Reporter

Mary Anderson

Mary Anderson

Nora Bard

John Ireland

John Ireland

Det. Oppenheimer

Charles Russell

Charles Russell

Arthur Templeton

Roy Roberts

Roy Roberts

Max Calvert

Mabel Paige

Mabel Paige

Flossie

Stanley Prager

Stanley Prager

Ruzinsky, Milkman

Charles Tannen

Charles Tannen

Ames, Reporter

Don Beddoe

Don Beddoe

Yager

Bernard Nedell

Bernard Nedell

Walter Bard

Charles Arnt

Charles Arnt

Daniel Boone Wintergreen

Fred Sherman

Fred Sherman

Zachary, "The Philadelphia Phantom"

Nick Stewart

Nick Stewart

Man reporting stolen car

Robert Adler

Robert Adler

CinemaSerf avatar

CinemaSerf

5.0/10

Oct 30, 2022

When a recently slain body is dumped at the entrance to the police station, it falls to "Lt. Carson" (William Gargan) to get to the bottom of things. Snag is, he thinks he has his culprit then the body disappears, the clues seem to conflict and he seems to be back at square one. Might the sassy "Janet Bradley" (Carol Landis) be behind it all? Well, sadly, Otto Brower doesn't really provide us with very much to get our grey matter stimulated. Gargan always was exceptionally mediocre and even with the presence of the usually lively Miss Landis, and some attempts at humour now and again, this still lurches along as a sort of breadcrumb following cop-noir with a few red herrings and not much else as we spend twenty-four hours looking for the perpetrators - dead and/or alive! It only lasts an hour, and is reasonably well stitched together to pass a wet Saturday afternoon - and it does make a sly dig at the integrity (or lack of) of police, media and their respective priorities and paymasters, too. You won't remember it afterwards, but it just about holds the attention while it is on.

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