A Reason to Live, a Reason to Die
A Reason to Live, a Reason to Die

A Reason to Live, a Reason to Die (1972)

6.3 ? Dec 27, 1972 1h 32m

Overview

A dishonored Union Army officer leads a group of convicts to retake Fort Holman from the Confederate Army.

Genres

Western

Release Date

December 27, 1972

Rating

6.3 /10

Runtime

1h 32m

Official Trailer from YouTube

James Coburn

James Coburn

Colonel Pembroke

Telly Savalas

Telly Savalas

Major Ward

Bud Spencer

Bud Spencer

Eli Sampson

Georges Géret

Georges Géret

Sergeant Spike

Reinhard Kolldehoff

Reinhard Kolldehoff

Sergeant Brent

Guy Mairesse

Donald MacIvers

José Suárez

José Suárez

Major Charles Ballard

Ugo Fangareggi

Ugo Fangareggi

Ted Randall

Benito Stefanelli

Benito Stefanelli

Piggott

Adolfo Lastretti

Adolfo Lastretti

Will Colder

Fabrizio Moresco

Fabrizio Moresco

Wards Sergeant

Francisco Sanz

Farmer

Carla Mancini

Carla Mancini

Mario Pardo

Mario Pardo

Roger, Sohn des Farmers

Concha Rabal

Conchita Rabal

Alejandro de Enciso

José Antonio Lopez

Turam Quibo

Turam Quibo

Jeremy

Paco Sanz

Paco Sanz

Farmer

Giuseppe Pollini

Giuseppe Pollini

Sergeant der Nordstaaten

John Chard avatar

John Chard

7.0/10

Feb 09, 2017

The Dirty Seven. Una ragione per vivere e una per morire (AKA: A Reason to Live, A Reason to Die & Massacre at Fort Holman) is directed by Tonino Valerii, who also co-writes with Rafael Azcona and Ernesto Gastaldi. It stars James Coburn, Telly Savalas & Bud Spencer. Cinematographer is Alejandro Ulloa and the music is scored by Riz Ortolani. Plot sees Coburn as Union Colonel Pembroke, who during the Civil War is given a rag-tag group of criminals to go win back the fort he lost to Confederate Major Frank Ward (Savalas). For him it's a chance to regain his honour, for them it's a chance to avoid execution for their crimes. Joplin Gazette, Joplin Missouri, April 10, 1872 ---Today I walked through the ruins of what was once Fort Holman. 10 years ago, this Civil War fortress, thought to be impregnable, was destroyed by a wild bunch of marauders. Eli Sampson, a survivor of that massacre, revealed in an interview that the raid was the result of a blood feud between two bitter men: Colonel Pembroke, a Union officer, thought to be a traitor and a coward, led the mission to recapture the fort he had once surrendered. Major Ward, a ruthless "Mad Genius," who joined the Confederacy solely to gain command of Fort Holman, so that he could rule the vast surrounding Santa Fe territory after the war. But what motivates these two men and what caused this incredible blood bath, was explained by Eli Sampson in the story that follows--- It's a written opening that grabs the attention straight away, it has all the promise of a spaghetti western done Peckinpah style. Then early in proceedings a grizzled James Coburn walks along a line of men about to be hanged, being introduced to them and calmly wondering if said scum-bags would like to stave off execution by accompanying him on a suicide mission? OK, it's derivative of The Dirty Dozen five years earlier, but if this is blending Peckinpah with Robert Aldrich at his best then it will be worth every second spent with it. Sadly it doesn't come close to living up to that particular promise. But it does have points of worth within. If you are willing to invest some patience with the slow narrative and get to the carnage finale unscathed? Then it's actually worth the wait as regards action. There's also some fine photography from Ulloa around Almeria in Spain, while Ortolani's soundtrack score blends well in context to the story. However, away from Coburn the acting is sub-standard, especially from Savalas who is miscast, while some suspension of disbelief is needed once the group reach the fort. But all in all it's a safe recommend to fans of Westerns, spaghetti or otherwise. And certainly a must for Coburn fans. 6.5/10 Footnote: The full cut of the film now runs at just shy of two hours in length, film buyers should ensure that they buy home format discs that run at around the 113/114 minute mark.

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