5 Fingers
5 Fingers

5 Fingers (1952)

7.5 ? Feb 22, 1952 1h 48m

Overview

During WWII, the valet to the British Ambassador to Ankara sells British secrets to the Germans while trying to romance a refugee Polish countess.

Genres

Thriller Drama

Release Date

February 22, 1952

Rating

7.5 /10

Runtime

1h 48m

Official Trailer from YouTube

James Mason

James Mason

Ulysses Diello

Danielle Darrieux

Danielle Darrieux

Condesa Anna Staviska

Michael Rennie

Michael Rennie

Colin Travers

Walter Hampden

Walter Hampden

Sir Frederic Taylor

Oskar Karlweis

Oskar Karlweis

L. C. Moyzisch

Herbert Berghof

Herbert Berghof

Col. von Richter

John Wengraf

John Wengraf

Count Franz Von Papen

Ben Astar

Ben Astar

Siebert

Roger Plowden

Keith Macfadden

Diane Adrian

Singer on French Record (voice)

Patrick Whyte

Code Clerk

Hanna Axmann-Rezzori

Hanna Axmann-Rezzori

David Bauer

David Bauer

Lawrence Dobkin

Lawrence Dobkin

Martín Garralaga

Martín Garralaga

Lumsden Hare

Lumsden Hare

Richard Loo

Richard Loo

Lester Matthews

Lester Matthews

Keith McConnell

Frank McLure

Frank McLure

CinemaSerf avatar

CinemaSerf

7.0/10

Sep 11, 2022

James Mason ("Diello") is great in this superior WWII espionage story. He portrays the ostensibly obliging valet to the British Ambassador in Turkey. He has a bit of a sideline in secrets, though, and when he hooks up with the recently penniless Polish "Countess Anna" (Danielle Darrieux) to launder the ill-gotten gains, he begins to proceed with his cunning plan: to amass enough funds from the Nazis to retire to a millionaire's lifestyle in South America. When the British start to suspect, they bring Michael Rennie ("Travers") out from London to investigate. Not only does this put pressure on our treacherous friend, but when his partner absconds with all of the loot he has to think fast to survive... The story begins with a question in Parliament about the authenticity of a newspaper article suggesting this fantastic plot, so there is some truth to it. Add to that, the fact that the Nazis were so keen to get the information, but not trusting enough of their source to actually use and it gives our story an extra potency, too. Mason injects quite a bit of panache into his likeable, if totally duplicitous, character and the remainder of the tightly-knitted cast keep the pot boiling really well. Joseph Mankiewicz took the production to Istanbul which, again, assists with the realism of this really quite gripping drama with a suitably fitting conclusion. It's good, this film!

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