Cavalcade
Cavalcade

Cavalcade (1933)

5.5 ? Feb 08, 1933 1h 52m

Overview

A cavalcade of English life from New Year's Eve 1899 until 1933 is seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War, the death of Queen Victoria, the sinking of the Titanic, and the Great War.

Genres

Drama War

Release Date

February 08, 1933

Rating

5.5 /10

Runtime

1h 52m

Official Trailer from YouTube

Diana Wynyard

Diana Wynyard

Jane Marryot

Clive Brook

Clive Brook

Robert Marryot

Una O'Connor

Una O'Connor

Ellen Bridges

Herbert Mundin

Herbert Mundin

Alfred Bridges

Beryl Mercer

Beryl Mercer

Cook

Irene Browne

Irene Browne

Margaret Harris

Tempe Pigott

Tempe Pigott

Mrs. Snapper

Merle Tottenham

Merle Tottenham

Annie

Frank Lawton

Frank Lawton

Joe Marryot

Ursula Jeans

Ursula Jeans

Fanny Bridges

Margaret Lindsay

Margaret Lindsay

Edith Harris

John Warburton

John Warburton

Edward Marryot

Billy Bevan

Billy Bevan

George Grainger

Dickie Henderson

Master Edwards

Douglas Scott

Douglas Scott

Master Joey

Bonita Granville

Bonita Granville

Young Fanny

Betty Grable

Betty Grable

Girl on Couch

Desmond Roberts

Desmond Roberts

Ronnie James

Harry Allen

Busker (uncredited)

Frank Atkinson

Frank Atkinson

Uncle Dick (uncredited)

CinemaSerf avatar

CinemaSerf

6.0/10

Jun 13, 2022

Noël Coward is at his most unashamedly jingoistic with this triple-Oscar winning depiction of the lives and loves, trials and tribulations of the well-to-do "Marryot" family - "Jane" (Diana Wynyard) and husband "Robert" (Clive Brook) and of the working class "Bridges" - Herbert Mundin ("Fred") and Una O'Connor ("Ellen") and their respective children. This episodically styled melodrama, for that is largely what it is, straddles the periods of British history from the late 1800s, through the fairly seismic death of Queen Victoria, the ensuing gentile Edwardian era until the clouds of war gather in the early 1910s testing everyone's mettle and finally to the aftermath of the Great War. It proves to be quite an interesting observation of deference and class, of aspiration and resentment - and both O'Connor and Wynyard play their parts well. The rest of it is a bit lacklustre, though - it seems little better than a sentimentally written chronology, bedecked with union jacks and rousing Chopin and Strauss to paper over any attempts to look seriously at the pretty profound social changes occurring in Britain, and elsewhere in Europe over this time period. That it beat Cukor's "Lady for a Day" for the trophy in 1934 has always surprised me - but at least it gave Una O'Connor a chance to stop playing the maid!

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