Rembrandt
Rembrandt

Rembrandt (1936)

6.8 ? Nov 06, 1936 1h 25m

Overview

A character study depicting the life of Rembrandt Van Rijn at the height of his fame in the mid 1600s. Beginning with the death of his wife, Rembrandt's work takes a dark turn, which offends many of his patrons.

Genres

Drama History

Release Date

November 06, 1936

Rating

6.8 /10

Runtime

1h 25m

Official Trailer from YouTube

Charles Laughton

Charles Laughton

Rembrandt van Rijn

Gertrude Lawrence

Gertrude Lawrence

Geertje Dirx

Elsa Lanchester

Elsa Lanchester

Hendrickje Stoffels

Edward Chapman

Edward Chapman

Fabrizius

Walter Hudd

Walter Hudd

Capt. Banning Cocq

Roger Livesey

Roger Livesey

Beggar Saul

John Bryning

Titus van Rijn

Sam Livesey

Auctioneer

Herbert Lomas

Herbert Lomas

Harmenzs van Rijn

Allan Jeayes

Allan Jeayes

Dr. Tulp

John Clements

John Clements

Govaert Flinck

Raymond Huntley

Raymond Huntley

Ludwick

Abraham Sofaer

Abraham Sofaer

Dr. Menasseh

Laurence Hanray

Heertsbeeke

Austin Trevor

Austin Trevor

Marquis de Grand Coeur

Henry Hewitt

Henry Hewitt

Jan Six

Gertrude Musgrove

Gertrude Musgrove

Agelintje

Richard Gofe

Titus (child)

Basil Gill

Basil Gill

Adrien van Rijn

Barry Livesey

Peasant Lad

CinemaSerf avatar

CinemaSerf

7.0/10

Jun 19, 2022

There's something magical about the characterisations in this biopic of the legendary 17th century Dutch painter. Not just Charles Laughton in the title role, but Elsa Lanchester as Hendrickje Stoffels and Gertrude Lawrence as Geertje Dirx - the women in his life - all add to the charm and create an effortless depth of personality for this film. Alexander Korda clearly had a rapport with his stars, and a creative vision that enabled this story to flow without resorting to it just being a chronology of his artist achievements. Of course it's all, largely, speculation - but it is an engaging look at not just how he lived his life (quite irresponsibly) but of just how hand-to-mouth many artists of the time lived and yet now - as it states in the prologue "no millionaire could ever fund the acquisition of his works". Geoffrey Toye is to be commended for his gentle, sympathetic accompaniment to this charismatic depiction of artistic greatness - flaws and all, and although Laughton does revert a bit to type at the end (à la Henry VIII from 1933) it's still a super film to watch.

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