Non-Fiction
Non-Fiction

Non-Fiction (2018)

5.4 ? Oct 11, 2018 1h 47m

Overview

Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors — another work of auto-fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion.

Genres

Comedy Drama Romance

Release Date

October 11, 2018

Rating

5.4 /10

Runtime

1h 47m

Official Trailer from YouTube

Guillaume Canet

Guillaume Canet

Alain

Juliette Binoche

Juliette Binoche

Selena

Vincent Macaigne

Vincent Macaigne

Léonard

Christa Théret

Christa Théret

Laure

Nora Hamzawi

Nora Hamzawi

Valérie

Pascal Greggory

Pascal Greggory

Marc-Antoine

Laurent Poitrenaux

Laurent Poitrenaux

Author, at Alain

Sigrid Bouaziz

Sigrid Bouaziz

Editor

Lionel Dray

Lionel Dray

Editor

Nicolas Bouchaud

Nicolas Bouchaud

David

Antoine Reinartz

Antoine Reinartz

Bookseller in Arles

Aurélia Petit

Aurélia Petit

Guest of Marc-Antoine

Thierry de Peretti

Thierry de Peretti

Guest of Marc-Antoine

Violaine Gillibert

Violaine Gillibert

Paloma, Marc-Antoine's friend

Jean-Luc Vincent

Jean-Luc Vincent

Author of Marécage

Laëtitia Spigarelli

Laëtitia Spigarelli

Amélia

Stéphane Roger

Selena's Agent

David Blot

David Blot

Radio Host

Jeanne Candel

Jeanne Candel

Press Officer

Olivia Ross

Olivia Ross

Laura's Friend

SWITCH. avatar

SWITCH.

8.0/10

May 06, 2020

It may be a film about rich people living rich people lives and doing rich people things (and, obviously, sleeping with each other's partners), but 'Non-Fiction' is a funny one with a lot of smart insights. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-non-fiction-literature-laughs-and-lewd-liasons

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CinemaSerf avatar

CinemaSerf

5.0/10

Mar 28, 2022

This film starts off quite strongly with an interesting dialogue between the characters "Alain" (Guillaume Canet) and "Selena" (Juliette Binoche) on the future consumption of the written word - long/short form; digital, books, blogs etc - indeed does it have a future a all? Sadly, though, it soon descends into a rather monotonous and predictable exercise in wife swapping, middle-aged crises and never really goes anywhere new. It's wordy and rather flat for most of the last hour, and for me, the end of the rather drearily introspective story of people too obsessed with themselves didn't come a moment too soon.

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