Blood and Sand
Blood and Sand

Blood and Sand (1941)

6.5 ? May 30, 1941 2h 5m

Overview

Bullfighter Juan Gallardo falls for socialite Dona Sol, turning from the faithful Carmen who nevertheless stands by her man as he continues to face real danger in the bullring.

Genres

Drama Romance

Release Date

May 30, 1941

Rating

6.5 /10

Runtime

2h 5m

Official Trailer from YouTube

Tyrone Power

Tyrone Power

Juan

Linda Darnell

Linda Darnell

Carmen Espinosa

Rita Hayworth

Rita Hayworth

Dona Sol

Alla Nazimova

Alla Nazimova

Senora Augustias

Anthony Quinn

Anthony Quinn

Manolo de Palma

J. Carrol Naish

J. Carrol Naish

Garabato

Lynn Bari

Lynn Bari

Encarnacion

John Carradine

John Carradine

Nacional

Laird Cregar

Laird Cregar

Natalio Curro

Monty Banks

Monty Banks

Antonio Lopez

George Reeves

George Reeves

Capt. Pierre Lauren

Pedro de Cordoba

Pedro de Cordoba

Don Jose Alvarez

Fortunio Bonanova

Fortunio Bonanova

Pedro Espinosa

Victor Kilian

Victor Kilian

Priest

Adrian Morris

Adrian Morris

La Pulga

Ann E. Todd

Ann E. Todd

Carmen (as a child)

Cora Sue Collins

Cora Sue Collins

Encarnacion (as a child)

Russell Hicks

Russell Hicks

Marquis

Maurice Cass

Maurice Cass

El Milquetoast

Jacqueline Dalya

Jacqueline Dalya

Gachi

CinemaSerf avatar

CinemaSerf

6.0/10

Nov 22, 2023

I started out quite enjoying this outing for Tyrone Power but by an hour in, I was really rather disappointed. Keen to follow in his grandfather's footsteps, he is the aspiring toreador "Gallardo" who is panned by critic "Curro" (the scene stealing Laird Creggar) as a fifth rate ring entertainer. He is determined to not only make his fortune, but to become famous and return to his village where he can claim the hand of childhood sweetheart "Carmen" (Linda Darnell). Thing is, success can be a double edged sword and at the top of his game and fame he is espied by the glamorous and rather manipulative "Doña Sol" (Rita Hayworth) who is determined to... well you can guess the rest. That's maybe the problem for me. It begins as a drama that looks at the sometimes rather brutal life of a bullfighter (rightly or wrongly) in a way that reminded me of many films about boxing. This sport really was the only way many people - not just those in the ring, but their friends and families too - could escape the cycle of poverty. It also illustrated quite well just how toxic the power of unfettered adulation can be when the object isn't maybe the strongest emotionally. The second hour does fall away, though, and we flirt just too closely with melodrama as Alfred Newman's score becomes just a bit too prominent (and indicative of what's to come). Anthony Quinn chips in quite well as the bitter "Manolo" but not really enough to keep the action elements on top. You can easily see the drawing power of both Power and Hayworth here, but the story itself let me down.

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