Tower of London
Tower of London

Tower of London (1962)

6.0 ? Oct 24, 1962 1h 20m

Overview

The twisted Richard III is haunted by the ghosts of those he has murdered in his attempt to become the King of England.

Genres

History Horror

Release Date

October 24, 1962

Rating

6.0 /10

Runtime

1h 20m

Vincent Price

Vincent Price

Richard of Gloucester

Michael Pate

Michael Pate

Sir Ratcliffe

Joan Freeman

Joan Freeman

Lady Margaret

Robert Brown

Robert Brown

Sir Justin

Bruce Gordon

Bruce Gordon

Earl of Buckingham

Joan Camden

Joan Camden

Anne

Richard Hale

Richard Hale

Tyrus

Sandra Knight

Sandra Knight

Mistress Shore

Charles Macaulay

Charles Macaulay

Clarence

Justice Watson

Edward IV

Sarah Selby

Sarah Selby

Queen

Donald Losby

Prince Richard

Sara Taft

Sara Taft

Richard's mother

Eugene Mazzola

Eugene Mazzola

Edward V

Morris Ankrum

Morris Ankrum

The Archbishop

Gene Roth

Gene Roth

The Tailor

Leoda Richards

Leoda Richards

Royal court lady

T

talisencrw

8.0/10

Jun 30, 2016

This was great--having Vincent Price do Richard III in the midst of his great run for Roger Corman. Well worth seeing--mine was on my blu Vincent Price Collection, Volume III.

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CinemaSerf avatar

CinemaSerf

6.0/10

Jun 05, 2023

I think this might have been Vincent Price's first leading role in a film here, and he actually carries it off quite well - if a little too hammily. His elder brother King Edward IV is dying and Prince Richard of Gloucester is determined to usurp his sons and claim the English crown for himself. What ensues now are three stories illustrating his ability to be cruel, to manipulate and to murder - but each act comes with it's own form of spiritual retribution from the victims. The first is a lady-in-waiting whom he wants to discredit the paternity of the new Edward V, then his own brother, the Duke of Clarence, (Charles Macaulay) before, finally, the reckoning with the victims the blame for which history is still uncertain it can lay at his door. It's a bit wordy but the simple visual effects have a suitably haunting feel to them and Price exudes a malevolent vulnerability that plays very much to the Shakespearean interpretation of his character. Short and sweet with plenty going on, it passes the time quite effortlessly but an history lesson it isn't.

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