In the Name of Ben-Hur
In the Name of Ben-Hur

In the Name of Ben-Hur (2016)

4.1 ? Aug 02, 2016 1h 30m

Overview

A young gladiator enslaved in the Roman arena in 171 A.D. escapes by chariot towards the freedom of Hadrian's Wall. Fighting centurions and mercenaries along the way, he becomes a folk hero for all those struggling to fight Roman oppression.

Genres

Action

Release Date

August 02, 2016

Rating

4.1 /10

Runtime

1h 30m

Official Trailer from YouTube

Jonno Davies

Jonno Davies

Adrian

Adrian Bouchet

Adrian Bouchet

Ben Hur

Lucy Drive

Lucy Drive

Maria

Stephanie Beran

Stephanie Beran

Veleda

Lara Heller

Lara Heller

Lucia

Gana Bayarsaikhan

Gana Bayarsaikhan

Khutu

Marcello Walton

Marcello Walton

Atticus

Dylan Jones

Dylan Jones

Aetius

Henry Douthwaite

Henry Douthwaite

Sergius

Michael Bott

Michael Bott

Cassium

Alan Calton

Alan Calton

Cyprian

Jo Marriott

Braga

Jason Beeston

Darius

Peter Ormond

Peter Ormond

Kaeso

Lucy Clements

Aurelia

CinemaSerf avatar

CinemaSerf

4.0/10

Aug 07, 2025

This is another one of those low-budget, dialogue heavy, movies that probably serves best as a training exercise for just about everyone before and behind the camera. Most of the technical folks behind seem to do adequately at presenting this contrived drama, but those responsible for the “creative” elements have little, if anything, to shout about. The Roman legions are persecuting some rural farmers when they are protected by a big burly stranger. That intervention only serves to irritate the commander though and so the locals try to convince this man to stay and help them, else he will go on his merry way and they will all be bruschetta. With the feisty but pretty hapless “Adrian” (Jonno Davies) first amongst the villagers and persistent, their visitor (Adrian Boucher) eventually decides to stay and, well you can join the very big dots from here. What it does do is suggest that those making it had fun. Dressing up? Yep. Rolling around in the mud hitting folk with sticks? Yep. Pretending to be Charlton Heston? Yep. The closing scene with “Cyprian” (Alan Calton) is the epitome of cinematic serendipity and all-in-all this is pretty feeble. Still, everyone has to start somewhere and maybe the next project any of these work on might benefit from their filmmaking learning curve that begins here. It passes the time, but you will never recall it - even if you were in it.

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