Ennio
Ennio

Ennio (2022)

8.3 ? Feb 17, 2022 2h 36m

Overview

A portrait of Ennio Morricone, the most popular and prolific film composer of the 20th century, the one most loved by the international public, a two-time Oscar winner and the author of over five hundred unforgettable scores.

Genres

Documentary Music History

Release Date

February 17, 2022

Rating

8.3 /10

Runtime

2h 36m

Official Trailer from YouTube

Ennio Morricone

Ennio Morricone

Self

Silvano Agosti

Self

Alessandro Alessandroni

Alessandro Alessandroni

Self

Fausto Ancillai

Self

Dario Argento

Dario Argento

Self

Joan Baez

Joan Baez

Self

Sergio Bassetti

Self

Bruno Battisti D'Amario

Bruno Battisti D'Amario

Self

Marco Bellocchio

Marco Bellocchio

Self

Bernardo Bertolucci

Bernardo Bertolucci

Self

Marco Biscarini

Self

Walter Branchi

Self

Gilda ButtĂ 

Self

Caterina Caselli

Caterina Caselli

Self

Enzo G. Castellari

Enzo G. Castellari

Self

Liliana Cavani

Liliana Cavani

Self

Marina Cicogna

Marina Cicogna

Self

Furio Colombo

Self

Mychael Danna

Mychael Danna

Self

Brian De Palma

Brian De Palma

Self

CinemaSerf avatar

CinemaSerf

7.0/10

May 02, 2022

This is a must see for fans of great cinema music. Perhaps alongside John Williams and John Barry, the eponymous maestro has scored in an unique and innovative way, a great many films since the 1960s and this film tracks how he rose from a classical music training to an (eventual) Oscar winner. It does suffer from the perennial problem of films like this, we see (and hear) too little of his marvellous works - especially my own favourite "Ecstasy of Gold" - but the narrative offers a quickly paced series of contributions from those well known, and those less so. It is astonishing just how many films he did provide the music for, some of it truly memorable and some of it truly dreadful - but here we see a man who never shied away from pushing the boundaries. His creative use of vocals, even of a typewriter to create his sounds demonstrates well his almost boundless imagination. Though at times a little dry, this documentary lays that skill and passion engagingly before us. Bertolucci, Eastwood and Joffé all contribute in a fashion that avoids the adulatory, and makes this an enjoyable chronology not just of Morricone himself, but of world cinema too.

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