Shakedown
Shakedown

Shakedown (1988)

5.8 ? May 06, 1988 1h 33m

Overview

When a local drug dealer shoots a dishonest cop in self-defense, lawyer and renegade undercover cop join forces to clear him. But when their investigation leads them into a maze of greed and corruption, they learn that in a town where everything is for sale, anything can happen.

Genres

Action Crime Drama Thriller Mystery

Release Date

May 06, 1988

Rating

5.8 /10

Runtime

1h 33m

Official Trailer from YouTube

Peter Weller

Peter Weller

Roland Dalton

Sam Elliott

Sam Elliott

Richie Marks

Patricia Charbonneau

Patricia Charbonneau

Susan Cantrell

Antonio Fargas

Antonio Fargas

Nicky 'N.C.' Carr

Blanche Baker

Blanche Baker

Gail Feinberger

John C. McGinley

John C. McGinley

Sean Phillips

Richard Brooks

Richard Brooks

Michael Jones

Jude Ciccolella

Jude Ciccolella

Patrick O'Leary

Thomas G. Waites

Thomas G. Waites

Officer Kelly

Daryl Edwards

Daryl Edwards

Dr. Watson

Jos Laniado

Jos Laniado

Ruben

Henry Judd Baker

Henry Judd Baker

Big Leroy

Ronald Maccone

Ronald Maccone

Mastrangelo

Holt McCallany

Holt McCallany

Roadblock Officer

George Loros

George Loros

Officer Varelli

Augusta Dabney

Augusta Dabney

Judge Maynard

Shirley Stoler

Shirley Stoler

Irma

Paul Bartel

Paul Bartel

Night Court Judge

James Eckhouse

James Eckhouse

Steve Rosen

David Proval

David Proval

Larry

K

kevin2019

2.0/10

May 03, 2024

"Shakedown" is much too unremarkable for its own good and obviously somebody somewhere must have realised this so in order to effectively remedy such an unwanted situation somebody somewhere has deemed it appropriate that the film ought to be modelled more upon the box office hit "Lethal Weapon" (1987). So this means we are frequently subjected to an assortment of deliberately eye catching action sequences and stunts. No problem there, you might think. After all, the sequences in question have been incredibly well executed and they do successfully enliven what is a generally unmemorable motion picture experience. However, they are also outrageously laughable and they unquestionably sabotage the more realistic qualities being striven for elsewhere. The film also isn't helped by the fact Peter Weller's and Sam Elliott's characters Roland Dalton and Richie Marks are so completely mismatched they actually look as though they belong in separate films and by bringing them together here leaves us with an unholy mess on our hands.

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