The Barefoot Contessa
The Barefoot Contessa

The Barefoot Contessa (1954)

6.8 ? Sep 29, 1954 2h 8m

Overview

Has-been director Harry Dawes gets a new lease on his career when the independently wealthy tycoon Kirk Edwards hires him to write and direct a film. They go to Madrid to find Maria Vargas, a dancer who will star in the film.

Genres

Drama

Release Date

September 29, 1954

Rating

6.8 /10

Runtime

2h 8m

Official Trailer from YouTube

Humphrey Bogart

Humphrey Bogart

Harry Dawes

Ava Gardner

Ava Gardner

Maria Vargas

Edmond O'Brien

Edmond O'Brien

Oscar Muldoon

Marius Goring

Marius Goring

Alberto Bravano

Valentina Cortese

Valentina Cortese

Eleanora Torlato-Favrini

Rossano Brazzi

Rossano Brazzi

Count Vincenzo Torlato-Favrini

Elizabeth Sellars

Elizabeth Sellars

Jerry

Warren Stevens

Warren Stevens

Kirk Edwards

Franco Interlenghi

Franco Interlenghi

Pedro Vargas

Mari Aldon

Mari Aldon

Myrna

Enzo Staiola

Enzo Staiola

Busboy

Bill Fraser

Bill Fraser

J. Montague Brown

Alberto Rabagliati

Alberto Rabagliati

Proprietor

Maria Zanoli

Maria Zanoli

Maria's Mother

Renato Chiantoni

Renato Chiantoni

Maria's Father

John Parrish

John Parrish

Mr. Max Black

Jim Gérald

Jim Gérald

Mr. Blue

Diana Decker

Diana Decker

Drunken Blonde

Riccardo Rioli

Riccardo Rioli

Gypsy Dancer

Tonio Selwart

Tonio Selwart

Pretender

CinemaSerf avatar

CinemaSerf

7.0/10

Jan 11, 2024

Occasionally narrated by Humphrey Bogart, he regales us with his story as the down on his luck Hollywood writer/director "Dawes" who alights on a tavern dancer in Madrid. "Maria Vargas" (Ava Gardner) is a woman with striking good looks and an aloofness that he immediately sees stardom in. Luckily his spoilt rich-kid backer "Edwards" (Warren Stevens) agrees to give her a screen test, but a combination of his own fecklessness and some competitive manoeuvring from "Dawes" creates quite an interest, an interest well fanned by PR man "Muldoon" (Edmond O'Brien). We know right from the start that she has died - we turn up at her funeral - and this film has something of a piece of musical vinyl to it. The first half side illustrates her rise to fame and fortune, her marriage and her death. Flip it over and we get a tale of just how she fell in love with "Count Torlato-Favrini" (Rossano Brazzi) and ultimately came a cropper. The constant being the increasing affection "Dawes" and "Vargas" share as their professional paths diverge and their friendship - entirely platonic - solidifies. Gardner could look quite cold sometimes on screen, but here she and Bogart exude a certain warmth through their characters, goaded nicely by the increasingly exasperating and brattish "Edwards" and also by the rather cruel and bullying "Bravano" - another solid effort from Marius Goring. It takes quite a swipe at the film industry - people obsessed with finding the pot of gold at the end of the rainbow - regardless of whether there's any gold or any rainbow, and the threads tie rather poignantly, if a little sadly, at the conclusion. It's a stylishly photographed production that looms great and showcases a strong ensemble of talent.

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