Alias Nick Beal
Alias Nick Beal

Alias Nick Beal (1949)

6.9 ? Mar 04, 1949 1h 33m

Overview

After straight-arrow district attorney Joseph Foster says in frustration that he would sell his soul to bring down a local mob boss, a smooth-talking stranger named Nick Beal shows up with enough evidence to seal a conviction. When that success leads Foster to run for governor, Beal's unearthly hold on him turns the previously honest man corrupt, much to the displeasure of his wife and his steadfast minister.

Genres

Drama Crime Fantasy

Release Date

March 04, 1949

Rating

6.9 /10

Runtime

1h 33m

Official Trailer from YouTube

Ray Milland

Ray Milland

Nick Beal

Audrey Totter

Audrey Totter

Donna Allen

Thomas Mitchell

Thomas Mitchell

Joseph Foster

George Macready

George Macready

Thomas Garfield

Fred Clark

Fred Clark

Frankie Faulkner

Geraldine Wall

Geraldine Wall

Martha Foster

Henry O'Neill

Henry O'Neill

Judge Ben Hobbs

Darryl Hickman

Darryl Hickman

Larry Price

Nestor Paiva

Nestor Paiva

Karl

King Donovan

King Donovan

Peter Wolfe

Charles Evans

Charles Evans

Paul Norton

Ernö Verebes

Ernö Verebes

Mr. Cox

Douglas Spencer

Douglas Spencer

Henry T. Finch

Arlene Jenkins

Aileen

Pepito Pérez

Poster Man

Joey Ray

Tommy Ray

Leon Alton

Supporter

Edward Biby

Party Guest

Danny Borzage

Accordionist

James Burke

James Burke

Bum

John Chard avatar

John Chard

8.0/10

Apr 22, 2015

Old Nick - Crafty Devil. Alias Nick Beal (AKA: A few other titles...) is directed by John Farrow and adapted to screenplay by Jonathan Latimer from the Mindret Lord story. It stars Ray Milland, Audrey Totter, Thomas Mitchell and George Macready. Music is by Franz Waxman and cinematography by Lionel Lindon. It's the Faustian legend filmed through film noir filters as Thomas Mitchell's politician unwittingly makes a deal with Ray Milland's suspicious Nick Beal. Nicholas Beal - Agent. It's all fogs, smogs and smoky pubs here, it's 1949 and John Farrow and his team are having a great time of things blending Faust with politico machinations. Narrative thrust comes by way of corruption and character disintegration, sprinkled naturally with your good old cinematic staple of good versus evil in bold type. Don't touch him! He doesn't like it! Milland is superb here, his Nick Beal is the ultimate Machiavellian Mannipulator, and the chief film makers really bring these traits to the fore. Beal is a bundle of smug grins and glinting eyes, he just appears in scenes, Farrow cunningly using various props and persons to suddenly unleash his little old devil when he is least expected. Around Nicky there are subtle changes of clothes and snatches of dialogue that hit the requisite devilish notes, Totter is our darling who is caught in Old Nick's trap, Mitchell (great) even more so. The last time I was here was quite exciting. City was on fire. Picked up quite a lot of recruits that night. Made quite a transportation problem. Lionel Lindon and Franz Waxman are also key components to what makes the pic work. Waxman (Sunset Blvd.) deftly shifts between big bass drums for thunder clap effects, to delicate swirls that give off other worldly - eerie - effects. Lindon (I Want to Live!) does great work isolating the eyes in light, while his fog and shadows work wouldn't be amiss in a Val Lewton picture. This is a criminally under seen movie, it's far from perfect because the collage of genre influences give it a very unbalanced feel, but there's so much fun, spookiness and technical craft on show to make it a must see movie for fans of the stars, noir and supernatural tinged pictures. 8/10

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