Aprile
Aprile

Aprile (1998)

7.3 ? Mar 27, 1998 1h 18m

Overview

Nanni Moretti takes another look at the ebbs and flows of life in April 1996, as he becomes a father for the first time and seems unable to focus on his documentary about the upcoming national elections.

Genres

Comedy

Release Date

March 27, 1998

Rating

7.3 /10

Runtime

1h 18m

Official Trailer from YouTube

Nanni Moretti

Nanni Moretti

Self

Silvio Orlando

Silvio Orlando

Self

Silvia Nono

Self

Pietro Moretti

Self

Agata Apicella Moretti

Self

Nuria Schoenberg

Self

Silvia Bonucci

Self

Quentin de Fouchécour

Self

Renato De Maria

Renato De Maria

Self

Daniele Luchetti

Daniele Luchetti

Self

Nicola Piepoli

Self

Corrado Stajano

Self

Angelo Barbagallo

Angelo Barbagallo

Self (uncredited)

Andrea Molaioli

Andrea Molaioli

Self (uncredited)

Alessandro Pesci

Alessandro Pesci

Self (uncredited)

Alessandro Angelini

Alessandro Angelini

Self (uncredited)

CinemaSerf avatar

CinemaSerf

7.0/10

Mar 31, 2024

I did think it a little unkind that Silvio Berlusconi didn't get a credit here. He features enough - on television or by reputation! It's against the backdrop of the 1996 Italian elections that Nanni Moretti attempts to focus on two significant events in his life. Marginally more important is the birth of his first child, but that's only slightly ahead of his planned documentary about the aforementioned elections. Now this documentary wasn't his first choice. He was initially intent on making a musical, or some sort of revue, but now set on his new course he suffers from a director's block. The crew are poised but his brain is stalled. He's completely perplexed as he must juggle his priorities. He's man of the political left so his documentary planning is also fuelling his disdain for the future of politics in his country... Bluntly, he's between a rock and a very hard place. It's quirky and comical this film whilst taking a few free swipes at people generally out of their depth whether that be about fatherhood, politics or filmmaking. The last five minutes are maybe just a little predictably surreal and Moretti does rather monopolise the screen, but the jolly score and entertaining dialogue make for an enjoyable, if admittedly forgettable, eighty minutes of frustrated mayhem.

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