Baise-moi
Baise-moi

Baise-moi (2000)

4.8 ? Jun 28, 2000 1h 17m

Overview

Nadine and Manu are two mad women, as tidy as can be, almost perfectionists. They have several things in common: extreme sex, drugs, beer and the trigger. They find the solution to their problems with guns and beware to those who dare to get in their way!

Genres

Crime Drama Thriller

Release Date

June 28, 2000

Rating

4.8 /10

Runtime

1h 17m

Official Trailer from YouTube

Karen Lancaume

Karen Lancaume

Nadine

Raffaëla Anderson

Raffaëla Anderson

Manu

Ouassini Embarek

Ouassini Embarek

Radouan

Adama Niane

Adama Niane

Man in Pool Hall

Marc Barrow

Hotel Receptionist

Patrick Eudeline

Francis

Ian Scott

Ian Scott

Rapist

Zenza Raggi

Zenza Raggi

Big Guy

Jean-Louis Costes

Jean-Louis Costes

Man in Swinger Club

Titof

Titof

Cute Guy

Delphine McCarty

Delphine McCarty

Roommate

Patrick Kodjo Topou

Patrick Kodjo Topou

Wanted

Élodie Chérie

Élodie Chérie

Distributor Lady

Marc Rioufol

Marc Rioufol

Architect

Hervé P. Gustave

Hervé P. Gustave

Martin

Jean-Marc Minéo

Jean-Marc Minéo

Gunsmith

Gábor Rassov

Gábor Rassov

Hooded Asshole

Rodolphe Antrim

Rodolphe Antrim

Local Guy

Nataly Dune

Nataly Dune

BAP Woman

Sebastian Barrio

Sebastian Barrio

BAP Man

griggs79 avatar

griggs79

3.0/10

Mar 28, 2025

_Baise-Moi_ is, frankly, dreadful. Years ago, I had a flatmate who was obsessed with it—I’ve never understood why. Even setting aside the sex and violence, what remains is a shoddy mess: it looks and sounds like an early 2000s daytime soap, complete with a dreadful soundtrack and incidental music and performances that barely convince. The direction is apathetic at best. I watched it on an old DVD still bearing the BBFC’s cuts, so perhaps the visuals suffered there—but even Arrow’s restoration can’t polish this particular turd. Yes, the sexual violence still shocks, mainly due to how casually it’s presented. But in the near quarter-century since its release, the film’s once-infamous brutality has been easily surpassed—leaving Baise-Moi exposed as little more than a provocateur with nothing to say. It appears the only reason this film exists is to annoy and piss off the censors—it’s neither exciting, titillating, nor remotely captivating.

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