Jeff_34
10.0/10Feb 10, 2017
**Greatest of all Time - GOAT - Best comedies.** Easily my number one. This film can be rewatched over and over again - always just as hilarious and timeless.
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A conniving Broadway producer and his meek accountant plan to profit from charming wealthy old biddies to invest in an overbudget production, and then put on a sure-fire disaster, so nobody will ask for their money back — and what's more disastrous than a tasteless musical celebrating Adolf Hitler.
A conniving Broadway producer and his meek accountant plan to profit from charming wealthy old biddies to invest in an overbudget production, and then put on a sure-fire disaster, so nobody will ask for their money back — and what's more disastrous than a tasteless musical celebrating Adolf Hitler.
March 18, 1968
1h 29m
Official Trailer from YouTube
Max Bialystock
Leo Bloom
Lorenzo St. DuBois (L.S.D.)
Franz Liebkind
"Hold Me Touch Me"
Roger De Bris
Carmen Ghia
Ulla
Eva Braun
Production Tenor
Drama Critic
Concierge
The Bartender
Auditioning Hitler
Jason Green
Auditioning Hitler
Auditioning Hitler
Auditioning Hitler
Lady
Lady
Jeff_34
10.0/10Feb 10, 2017
**Greatest of all Time - GOAT - Best comedies.** Easily my number one. This film can be rewatched over and over again - always just as hilarious and timeless.
Read full reviewadorablepanic
9.0/10Apr 10, 2020
THE PRODUCERS (1967) - Mel Brooks' first feature film starts with the funniest opening credits sequence I've ever seen - a monetarily motivated rendezvous between a serial Broadway failure and a sexually insatiable octogenarian - and then proceeds to get even more hilarious as it progresses. The fabulous Zero Mostel somehow manages to chew scenery for breakfast, lunch and dinner while never overshadowing any of the other players (whose performances are all also appropriately broad, to be honest). Interestingly, were it not for a little known film by the name of THE GRADUATE (1967) casting while this film was going into production, we would have had Dustin Hoffman as the starry-eyed Nazi playwright. So Dustin went on to fame in another picture; Kenneth Mars ended up with a juicy role in just his second feature film; and Mel got to skewer the Third Reich and win an Academy Award for writing while doing it. Sometimes things just work out.
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