I Saw the Light
I Saw the Light

I Saw the Light (2016)

6.2 ? Feb 05, 2016 2h 3m

Overview

Singer and songwriter Hank Williams rises to fame in the 1940s, but alcohol abuse and infidelity take a toll on his career and marriage to fellow musician Audrey Mae Williams.

Genres

Music Drama

Release Date

February 05, 2016

Rating

6.2 /10

Runtime

2h 3m

Official Trailer from YouTube

Tom Hiddleston

Tom Hiddleston

Hank Williams

Elizabeth Olsen

Elizabeth Olsen

Audrey Mae Williams

Wayne Pére

Wayne Pére

Toby Marshall

David Krumholtz

David Krumholtz

James Dolan

Wrenn Schmidt

Wrenn Schmidt

Bobbie Jett

Bradley Whitford

Bradley Whitford

Fred Rose

Josh Pais

Josh Pais

Dore Schary

Cherry Jones

Cherry Jones

Lillie Williams

James DuMont

James DuMont

WB Nowlin

Joe Chrest

Joe Chrest

Oscar Davis

Charlie Talbert

Charlie Talbert

Cliff Rogers

Maddie Hasson

Maddie Hasson

Billie Jean

Candice Harrison

Roadhouse Patron

Cory Hart

Cory Hart

Back Pain Doctor

NM Garcia

Ryman Auditorium / Cow Coliseum Gal

Caroline Hebert

Caroline Hebert

Ellie

Justin Lebrun

Justin Lebrun

Concert attendant

Casey Bond

Casey Bond

Jerry Rivers

Joshua Brady

Joshua Brady

Sammy Pruett

Elliott Grey

Elliott Grey

Banker

CinemaSerf avatar

CinemaSerf

6.0/10

Jul 23, 2024

In theory this had loads to recommend it. A young man who captivated the USA with his music, an handsome and charismatically flawed gent who lived his life to the full, philandered, cheated and drank... How, then, did Marc Abraham manage to turn all that into a stodgy television movie? The ever easy on the eye Tom Hiddleston takes the title role and does precisely nothing with it. His mimicry of the style of performing - that slightly chicken-strutting jig he did whilst singing, works well enough but otherwise this is a shallow and lacklustre characterisation. Williams could never have been called a loyal man and the women who featured prominently here - wife Audrey (Elisabeth Olsen), Bobbie (Wrenn Schmidt) and Billie Jean (Maddie Hasson) have precious little to work with to add much depth to this puddle of a biopic. It has a go at creating a documentary feel to it, incorporating some monochrome (and monotone) contributions from Bradey Whitford's version of producer Fred Rose and there is plenty of toe-tapping - especially the fiddlers, but at just over the two hour mark this is a ponderously feeble effort to enliven a man by an actor who spent way too much time in wardrobe and nowhere near enough trying to imbue the subject with personality. "Walk the Line" (2005) it isn't.

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