Blood and Black Lace
Blood and Black Lace

Blood and Black Lace (1964)

7.3 ? Apr 10, 1964 1h 28m

Overview

Isabella, a young model, is murdered by a mysterious masked figure at a fashion house in Rome. When her diary, which details the house employees' many vices, disappears, the masked killer begins killing off all the models in and around the house to find it.

Genres

Horror Thriller Mystery

Release Date

April 10, 1964

Rating

7.3 /10

Runtime

1h 28m

Official Trailer from YouTube

Cameron Mitchell

Cameron Mitchell

Massimo Morlacchi

Eva Bartok

Eva Bartok

Contessa Cristiana Cuomo

Thomas Reiner

Thomas Reiner

Inspector Silvestri

Ariana Gorini

Ariana Gorini

Nicole

Dante DiPaolo

Dante DiPaolo

Franco Scalo

Mary Arden

Mary Arden

Peggy Peyton

Franco Ressel

Franco Ressel

Marchese Riccardo Morelli

Claude Dantes

Claude Dantes

Tao-Li

Luciano Pigozzi

Luciano Pigozzi

Cesare Lazzarini

Lea Lander

Lea Lander

Greta

Massimo Righi

Massimo Righi

Marco

Francesca Ungaro

Isabella

Giuliano Raffaelli

Giuliano Raffaelli

Zanchin

Harriet Medin

Harriet Medin

Clarissa

Mary Carmen

Model

Heidi Stroh

Heidi Stroh

Bleach Blond Model

Enzo Cerusico

Enzo Cerusico

Gas Station Attendant

Nadia Anty

Model

Calisto Calisti

Calisto Calisti

Butler (uncredited)

Romano Moraschini

Romano Moraschini

Suspect at Police Station (uncredited)

CinemaSerf avatar

CinemaSerf

7.0/10

Jul 06, 2022

When the glamorous model "Isabella" is found murdered, "Insp. Silvestri" (Thomas Reiner) is drafted in to investigate. Pretty quickly he discovers, as do we, that she kept a diary and it now becomes distinctly dangerous for anyone who has handled this book as the masked killer seems hell bent on retrieving it. There are suspects a-plenty for the killings, and an intriguing sub-lot between a penniless Marquis (Franco Ressel) being blackmailed for an alibi by the boyfriend of one of the deceased, makes the main plot a little more puzzling too. It packs quite a lot into ninety minutes and the story is peppered with red herrings but not in an Agatha Christie fashion. They are more plausible, the characterisations malevolent, duplicitous and back-stabbing and for much of this, we really have no idea who is committing these heinous crimes, nor why. The score is left in the reliable hands of Carlo Rustichelli and though the dialogue isn't that bad, it is this that works well to create a sense of menace - and mischief, as the investigation reaches it's denouement. Tangentially, it takes a swipe or two at the rather insincere worlds of modelling and fashion in general, and is easily as good as the best horror thrillers to emanate from Hammer. Despite the whole thing having something of an episode of "Columbo" to it, it's still worth a watch.

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