Charlie Chan at the Opera
Charlie Chan at the Opera

Charlie Chan at the Opera (1936)

6.8 ? Dec 04, 1936 1h 8m

Overview

A dangerous amnesiac escapes from an asylum, hides in the opera house, and is suspected of getting revenge on those who tried to murder him 13 years ago.

Genres

Crime Mystery Thriller

Release Date

December 04, 1936

Rating

6.8 /10

Runtime

1h 8m

Warner Oland

Warner Oland

Charlie Chan

Boris Karloff

Boris Karloff

Gravelle

Keye Luke

Keye Luke

Lee Chan

William Demarest

William Demarest

Sergeant Kelly

Guy Usher

Guy Usher

Inspector Regan

Margaret Irving

Margaret Irving

Mme. Lilli Rochelle

Gregory Gaye

Gregory Gaye

Enrico Borelli

Nedda Harrigan

Nedda Harrigan

Mme. Lucretia Borelli

Frank Conroy

Frank Conroy

Mr. Whitely

Charlotte Henry

Charlotte Henry

Mlle. Kitty

Thomas Beck

Thomas Beck

Phil Childers

Maurice Cass

Maurice Cass

Mr. Arnold

Tom McGuire

Tom McGuire

Pop Morris - Stage Doorman

Marc Lawrence

Marc Lawrence

Undetermined Minor Role (uncredited) (unconfirmed)

Joan Woodbury

Joan Woodbury

Dancer in Opera (uncredited)

William Bailey

William Bailey

Detective (uncredited)

Charles Bancroft

Soldier in Opera (uncredited)

John Bleifer

John Bleifer

Murdered Orderly (uncredited)

Stanley Blystone

Stanley Blystone

Backstage Cop Who Shoots Gravelle (uncredited)

Myrta Bonillas

Villager in Opera (uncredited)

CinemaSerf avatar

CinemaSerf

7.0/10

Jun 19, 2022

I think this might well be my favourite outing for our Hawaiian super sleuth. This time, Warner Oland must investigate some very suspicious goings on in a theatre. Unbeknown to all of us, this theatre has it's very own phantom... but whom? Why? Well, that's all rather entertainingly explained over the course of the hour as he - with the help of son "Lee" (Keye Luke) - must stop this from becoming an operatic game of Russian Roulette. Now there is absolutely no jeopardy - it is pretty clear early on who the culprit it; but our journey of discovery is quite cleverly managed by director Bruce Humberstone with engaging efforts from Margaret Irving, Charlotte Henry, Gregory Gaye and, of course, Boris Karloff. Oscar Levant and William Kernell provide us with some operatic numbers that authenticate the process and the thing has a good deal of fun to it, too. Definitely worth watching, this one..

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