King of the Underworld
King of the Underworld

King of the Underworld (1939)

6.4 ? Jan 14, 1939 1h 7m

Overview

Physician Carole Nelson, suspected of having ties to notorious gangster Joe Gurney, must prove her innocence or the Medical Board will revoke her license. When Gurney seeks her out for treatment after being shot, it could be the break Nelson needs. Now she has a chance to use her medical know-how to outwit Gurney and his goons and reestablish her professional reputation.

Genres

Romance Crime Drama

Release Date

January 14, 1939

Rating

6.4 /10

Runtime

1h 7m

Humphrey Bogart

Humphrey Bogart

Joe Gurney

Kay Francis

Kay Francis

Dr. Carole Nelson

James Stephenson

James Stephenson

Bill Stevens

John Eldredge

John Eldredge

Dr. Niles Nelson

Jessie Busley

Jessie Busley

Aunt Josephine

Arthur Aylesworth

Arthur Aylesworth

Dr. Sanders

Raymond Brown

Sheriff

Harland Tucker

Harland Tucker

Mr. Ames

Ralph Remley

Mr. Robert

Charley Foy

Charley Foy

Slick

Murray Alper

Murray Alper

Eddie

Joe Devlin

Joe Devlin

Porky

Elliott Sullivan

Elliott Sullivan

Mugsy

Alan Davis

Pete

John Harmon

John Harmon

Slats

John Ridgely

John Ridgely

Jerry

Richard Bond

Richard Bond

Interne

Pierre Watkin

Pierre Watkin

District Attorney

Charles Trowbridge

Charles Trowbridge

Dr. Ryan

Edwin Stanley

Edwin Stanley

Dr. Jacobs

CinemaSerf avatar

CinemaSerf

6.0/10

Jun 22, 2022

When one of his boys is saved by a young doctor, gangster "Joe" (Humphrey Bogart) pays the man a visit and thanks him with $500 and a promise (threat?) of future work. It's at one such consultation that the police swoop, the young man is killed in the melee and his now widow, fellow doctor, "Carole" (Kay Francis) is suspected of complicity. Though acquitted in court, she is given three months to prove her innocence or face being struck off as a physician - and that means she must do a bit of detective work of her own. It's not the most plausible of stories this. The involvement of James Stevenson ("Bill") as a latter day wandering minstrel doesn't help on that front and the ending is really pretty daft, but Bogart adds a charming degree of (very mild) menace to his Napoleon-obsessed character and Kay Francis, though hardly challenged any of this, still has a star quality to bring to the proceedings. Not great, no - but an enjoyable enough hour of cinema.

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