The Sound of Fury
The Sound of Fury

The Sound of Fury (1950)

6.4 ? Dec 12, 1950 1h 25m

Overview

A family man – desperate for a job – latches onto a friend who encourages him into being a criminal.

Genres

Crime Drama

Release Date

December 12, 1950

Rating

6.4 /10

Runtime

1h 25m

Frank Lovejoy

Frank Lovejoy

Howard Tyler

Kathleen Ryan

Kathleen Ryan

Judy Tyler

Richard Carlson

Richard Carlson

Gil Stanton

Lloyd Bridges

Lloyd Bridges

Jerry Slocum

Katherine Locke

Katherine Locke

Hazel Weatherwax

Adele Jergens

Adele Jergens

Velma

Art Smith

Art Smith

Hal Clendenning

Renzo Cesana

Renzo Cesana

Dr. Vido Simone

Irene Vernon

Helen Stanton

Cliff Clark

Cliff Clark

Sheriff Lem Demig

Harry Shannon

Harry Shannon

Mr. Yaeger

Donald Smelick

Tommy Tyler

Robert Altuna

Boy in Miller Car (uncredited)

Frank Baker

Frank Baker

Man Exiting Optomerist (uncredited)

Jane Easton

Jane Easton

Barbra Colson (uncredited)

Norman Field

Man on Street (uncredited)

Lynn Gray

Vi Clendenning (uncredited)

Bob Jellison

Man Mailing Letters (uncredited)

Carl Kent

Carl Kent

Donald D. Miller (uncredited)

Mary Lawrence

Mary Lawrence

Kathy (uncredited)

CinemaSerf avatar

CinemaSerf

7.0/10

Feb 06, 2024

With another baby on the way, the jobless "Tyler" (Frank Lovejoy) is desperate to find work. Repeatedly rejected, he ends up doing some driving for the small-time thief "Slocum" (Lloyd Bridges) and after a few heists, their financial situation improves markedly. His wife "Judy" (Kathleen Ryan) thinks he's got a nightshift somewhere but boy does she get a shock when it emerges that her husband is now implicated in the brutal murder of the young son of a wealthy man. When his body is found the police apprehend both "Tyler" and "Slocum" and soon, spurned on by the sensationalising journalist "Stanton" (Richard Carlson), an angry mob is outside the police station - and it is baying for blood. For much of this film, it's a standard petty crime goes wrong drama and neither Lovejoy nor Bridges really stand out. It's the last half hour where this film comes into it's own a little more. Carlson is good as the odious newspaper man who cares little about anything but his task to increase circulation and with the increasing tension inside a police station besieged by a determined mob, Cy Endfield manages to create a denouement that shows just how thin the line between lawfulness and lawlessness can be - especially when goaded and galvanised by a sense of righteousness. Oddly enough, the conclusion still resonates quite effectively even now, and for thirty minutes - at least - this is a thought-provoking film to watch.

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