Young Ones
Young Ones

Young Ones (2014)

5.7 ? Jun 28, 2014 1h 40m

Overview

In a future where water is scarce, a farmer defends his land and hopes to rejuvenate his parched soil. However, his daughter's boyfriend schemes to steal the land for himself.

Genres

Western Action Drama Science Fiction

Release Date

June 28, 2014

Rating

5.7 /10

Runtime

1h 40m

Official Trailer from YouTube

Michael Shannon

Michael Shannon

Ernest Holm

Nicholas Hoult

Nicholas Hoult

Flem Lever

Elle Fanning

Elle Fanning

Mary Holm

Kodi Smit-McPhee

Kodi Smit-McPhee

Jerome Holm

Aimee Mullins

Aimee Mullins

Katherine Holm

Christy Pankhurst

Robbie

Alex McGregor

Alex McGregor

Sooz

Robert Hobbs

Robert Hobbs

Caleb

David Butler

Sam Lever

David Clatworthy

David Clatworthy

Calvin Hooyman

Liah O'Prey

Liah O'Prey

Anne

Carel Nel

Carel Nel

Bandit

Gideon van Schoor

Bandit Brother

Andy McPhee

Andy McPhee

Foreman Jay

Ben Horowitz

Water Guard

Rachel Wood

Orderly

Charles Tertiens

Border Inspector

Vlam Beukes

Mailman

Barry Armitage

Well Dressed Man

Karen Snyman

Well Dressed Woman

CinemaSerf avatar

CinemaSerf

6.0/10

May 15, 2024

No pun intended, but this is a really dry drama that assembles a decent enough cast but struggles with a really thin story. Climate change has played havoc with the water supply and so a sort of bartering arrangement has evolved between those who control the piped distribution and those who need to drink! Farmer "Ernest" (Michael Shannon) and his family are still trying to make a go of things amongst an environment of extortion and banditry - but he has one advantage. A machine that can do much of the manual work for them and one that proves useful when it comes to trading for water. Daughter "Mary" (Elle Fanning) has a boyfriend "Clem" (Nicholas Hoult) whom her father neither likes nor trusts, and when an accident occurs on a trip the two men take into the mountains, the young son "Jerome" (Kodi Smit-McPhee) gradually begins to smell a rat. With "Clem" now married to his sister, though, it is tough for "Jerome" to take his revenge. It's all perfectly adequate this in a sort of "Mad Max" light fashion, but there is little by way of characterisation and neither Hoult nor Smit-McPhee have very much to work with as the glaring sun and environmental challenges ram home much more of the message here the any of the writing does. It's adequately enough produced and edited but is really little better than afternoon television fodder that you'll quickly forget - even if you were in it.

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