The Lady and the Bandit
The Lady and the Bandit

The Lady and the Bandit (1951)

6.0 ? Aug 13, 1951 1h 19m

Overview

Highwayman Dick Turpin rides 200 miles to save his wife from the gallows in 18th-century England.

Genres

Adventure Romance

Release Date

August 13, 1951

Rating

6.0 /10

Runtime

1h 19m

Official Trailer from YouTube

Louis Hayward

Louis Hayward

Dick Turpin

Patricia Medina

Patricia Medina

Joyce Greene

Suzanne Dalbert

Suzanne Dalbert

Cecile

Tom Tully

Tom Tully

Tom King

John Williams

John Williams

Archbald Puffin

Malú Gatica

Malú Gatica

Baroness Margaret

Alan Mowbray

Alan Mowbray

Lord Charles Willoughby

Lumsden Hare

Lumsden Hare

Sir Robert Walpole

Barbara Brown

Barbara Brown

Lady Greene

George Baxter

George Baxter

David Garrick

Ivan Triesault

Ivan Triesault

King George

Norman Leavitt

Norman Leavitt

Hedger

Stapleton Kent

John Ratchett

Frank Reicher

Frank Reicher

Count Eckhardt

Malcolm Keen

Malcolm Keen

Sir Thomas de Veil

Sheldon Jett

Ramsey Jostin

Jimmy Aubrey

Jimmy Aubrey

First Drunk on Steps

Alex Boles

Coachman

Barry Brooks

King's Coachman

Leonard Carey

Leonard Carey

Jailer

CinemaSerf avatar

CinemaSerf

6.0/10

Sep 01, 2024

Dick Turpin's is one of those legends that should have fitted nicely with Louis Hayward's style of swashbuckling heroics. Plenty of opportunity to rob the wealthy that travel the as yet un-policed roads of 1730s England. Sadly, though, Ralph Murphy chooses to focus more on the romantic elements of his roguish subject and we are left with a rather slow moving melodrama. After one of his hold-ups, he meets and falls in love with "Joyce" (Patricia Medina), settles down to middle-class inn-keeping for a while before he goes back to his old ways with friend Tom King (Tom Tully). That's when he robs "Lord Willoughby" (Alan Mowbray) and relieves him of a document proving the existence of treason afoot - the price on his head rockets and his jealous friend "Cecile" (Suzanne Dalbert) sets about betraying him too. At times it is quite exciting - his break-neck race to York on "Black Bess", for example - but otherwise this just plods along with neither of the leading ladies having much on-screen charisma, nor dialogue to work with. Mowbray features sparingly as his foe and the direction is just, well, lacking... Hayward does try, but he has lost the glint from his eye and can't carry this all by himself as entertainingly he once could. I hadn't heard of this film before today, but after watching I'm afraid I am not really surprised.

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