The Importance of Being Earnest
The Importance of Being Earnest

The Importance of Being Earnest (1952)

7.2 ? Jun 02, 1952 1h 35m

Overview

Two young gentlemen living in 1890s England use the same pseudonym ('Ernest') on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities.

Genres

Comedy

Release Date

June 02, 1952

Rating

7.2 /10

Runtime

1h 35m

Official Trailer from YouTube

Michael Redgrave

Michael Redgrave

Ernest Worthing

Michael Denison

Michael Denison

Algernon Moncrieff

Edith Evans

Edith Evans

Lady Bracknell

Joan Greenwood

Joan Greenwood

Gwendolen Fairfax

Dorothy Tutin

Dorothy Tutin

Cecily Cardew

Margaret Rutherford

Margaret Rutherford

Miss Prism

Miles Malleson

Miles Malleson

Canon Chasuble

Richard Wattis

Richard Wattis

Seton

Walter Hudd

Walter Hudd

Lane

Aubrey Mather

Aubrey Mather

Merriman

Ivor Barnard

Ivor Barnard

Conductor (Uncredited)

CinemaSerf avatar

CinemaSerf

7.0/10

Sep 09, 2022

There's little point in outlining the plot here - it's not what the film is about. It is the combination of characterisations and the wonderfully witty writing of Oscar Wilde that make this a thoroughly enjoyable film to watch. It makes no bones about it's theatrical origins - even featuring a curtain at the start and the finish, and that sets us up for a cracker of a comedy that swipes at snobbery, pomposity, crass stupidity, deception and offers us a tour de force effort from the inimitable Dame Edith Evans ("Lady Bracknell"). Anthony Asquith has created a delightfully honest interpretation of the play - the dialogue is pithy and quickly paced, few lines are wasted and the talents of Michael Redgrave, Michael Denison, Dorothy Tutin, the perfectly cast Joan Greenwood as "Gwendoline" and Margaret Rutherford as the prim "Miss Prism" combine to give us a genuinely laugh-out-loud series of scenarios that are a joy to behold. It's colourfully set, the costumes a delight (though, I felt seriously gaudy at times!) and the comically timed mannerisms, gestures and charisma of the performers is great, too. It is rare for a piece of theatrical comedy to transfer so effortlessly to the big screen, but here it all looks so very natural...

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