The Very Thought of You
The Very Thought of You

The Very Thought of You (1944)

6.2 ? Oct 20, 1944 1h 39m

Overview

Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.

Genres

Romance Drama

Release Date

October 20, 1944

Rating

6.2 /10

Runtime

1h 39m

Dennis Morgan

Dennis Morgan

Sgt. David Stewart

Eleanor Parker

Eleanor Parker

Janet Wheeler

Dane Clark

Dane Clark

Sgt. 'Fixit' Gilman

Faye Emerson

Faye Emerson

Cora 'Cuddles' Colton

Beulah Bondi

Beulah Bondi

Mrs. Harriet Wheeler

Henry Travers

Henry Travers

Pop Wheeler

William Prince

William Prince

Fred

Andrea King

Andrea King

Molly Wheeler

John Alvin

John Alvin

Cal Wheeler

Marianne O'Brien

Bernice

Georgia Lee

Georgia Lee

Ellie Wheeler

Richard Erdman

Richard Erdman

Soda Jerk

Francis Pierlot

Francis Pierlot

Minister Raymond Houck

Casey MacGregor

Motel Manager (uncredited)

Philip Van Zandt

Philip Van Zandt

Assistant Hotel Desk Clerk (uncredited)

John Burton

Wounded Soldier (uncredited)

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CinemaSerf

7.0/10

Jun 09, 2024

Two American sergeants have a weekend pass from their bitterly cold Aleutian Islands posting before they must report back for new wartime duties, so they head to Pasadena for some some fun. Almost immediately they alight on "Janet" (Eleanor Parker) and "Cora" (Faye Emerson) who work making parachutes. It's "Dave" (Dennis Morgan) who takes a shine to "Janet" - reciprocating a childhood crush, but her wary mother (Beulah Bondi) wants none of him, fearing the dangers to her daughter of a wartime romance. Luckily her father (Henry Travers) is a little more sympathetic, but can they make things work? Meantime, "Cora" has found love with his friend "Fixit" (Dane Clark) and their path is moving along altogether more smoothly. On the face of it, this is just another feel good piece of thinly veiled propaganda, with the script making several references to the war and to the "Japs", but the acting - especially from Parker and Bondi elicits a more genuine sense of romance, yes, but also trepidation and that feeling that striking while the iron is hot may well be the best, or only, way forward. It tempers the sentimental, and there is a fair bit of that, with the realistic in quite an effective fashion taking a plausible look at how people juggled their responsibilities and aspirations in time of great peril and uncertainty. Ray Noble's title song features but sparingly, yet poignantly and the film is far better than that expected from the usual standard WWII spirit-lifter.

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