My Heart Belongs to Daddy
My Heart Belongs to Daddy

My Heart Belongs to Daddy (1942)

4.2 ? Nov 07, 1942 1h 15m

Overview

A distinguished professor finds his well-ordered life tospy-turvy after he is forced to take in a pregnant widow.

Genres

Romance Comedy

Release Date

November 07, 1942

Rating

4.2 /10

Runtime

1h 15m

Cecil Kellaway

Cecil Kellaway

Alfred Fortescue

Richard Carlson

Richard Carlson

R.I.C. Kay

Martha O'Driscoll

Martha O'Driscoll

Joyce Whitman

Florence Bates

Florence Bates

Mrs. Saunders

Mabel Paige

Mabel Paige

Nurse Eckles

Frances Gifford

Frances Gifford

Grace Saunders

Velma Berg

Babs Saunders

Cecil Cunningham

Cecil Cunningham

Mrs. Whitman

Mary Treen

Mary Treen

Dawn

Paul Stanton

Paul Stanton

Mr. Whitman

Chick Chandler

Chick Chandler

Jiggers Johnston

Fern Emmett

Fern Emmett

Josephine-the Maid

Dorothy Granger

Dorothy Granger

Yvonne

Edward Gargan

Edward Gargan

Mr. Johnson - Detective

Arthur Hoyt

Arthur Hoyt

Smith, Faculty Member

Georgia Backus

Georgia Backus

Miss Peel

CinemaSerf avatar

CinemaSerf

5.0/10

Feb 20, 2024

It's all about the spelling! "Prof. Inglethorpe" (Richard Carlson) is a renowned educator whose life is turned upside down when a pregnant woman comes to say with them. She - "Joyce" (Martha O'Dricoll) is a showgirl who is probably going to put her child up for adoption as she cannot afford to bring it up properly. Romance takes an hand though, of course, but this is where it gets a little interesting. He likes her and she likes him, but "Mrs. Saunders" (Florence Bates) has designs on the man for her daughter "Grace" (Frances Gifford) and so starts to make waves. Some of these waves prove big enough to drive the new mother from their home and him on a track for the wrong nuptials. Fortunately, he has a sort of fairy godfather figure in his life. The scene stealing Cecil Kellaway ("Alfred") is on hand to prod him in the right direction and try to pluck triumph from disaster. There's nothing really very original here, but that wouldn't have mattered so much had there been some chemistry on screen. There isn't. Though O'Driscoll has a little more scope with her character, the Gifford/Bates double act - augmented (?) by the younger "Babs" (Velma Berg) - is just over-played, and Carlson is nowhere near his best with this rather shallow role. It's watchable enough, but I doubt I will ever remember it.

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