The Hunchback of Notre Dame
The Hunchback of Notre Dame

The Hunchback of Notre Dame (1923)

6.5 ? Sep 06, 1923 1h 53m

Overview

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.

Genres

Romance Drama Horror

Release Date

September 06, 1923

Rating

6.5 /10

Runtime

1h 53m

Official Trailer from YouTube

Lon Chaney

Lon Chaney

Quasimodo

Patsy Ruth Miller

Patsy Ruth Miller

Esmeralda

Norman Kerry

Norman Kerry

Phoebus de Chateaupers

Kate Lester

Kate Lester

Madame de Condelaurier

Winifred Bryson

Winifred Bryson

Fleur de Lys

Nigel De Brulier

Nigel De Brulier

Don Claudio

Brandon Hurst

Brandon Hurst

Jehan

Ernest Torrence

Ernest Torrence

Clopin

Tully Marshall

Tully Marshall

El Rey Luis XI

Harry von Meter

Harry von Meter

Mons. Neufchatel

Raymond Hatton

Raymond Hatton

Gringoire

Nick De Ruiz

Nick De Ruiz

Mons. Le Torteru

Eulalie Jensen

Eulalie Jensen

Marie

Roy Laidlaw

Charmolu

Ray Myers

Charmolu's Assistant

William Parke

Josephus

Gladys Brockwell

Gladys Brockwell

Sister Gudule

John Cossar

John Cossar

Judge of the Court

Edwin Wallock

Edwin Wallock

King's Chamberlain

Fred Behrle

Undetermined Role (uncredited)

CinemaSerf avatar

CinemaSerf

7.0/10

Jun 06, 2022

I reckon that this has to be the saddest of all love stories ever written - in any language! Although top billing goes to the pathetically grotesque Lon Chaney as the bell-ringer "Quasimodo", I think the plaudits must go to Patsy Ruth Miller as the persecuted gypsy "Esmerelda" in this 1923 adaptation of Victor Hugo's story. The score is hauntingly effective as both battle prejudice, jealousy and enmity from high and low society; with plots for revolution against the rather despotic rule of Louis XI never far from the theme. Chaney's make up is not great, even by the standards of the day, and it would not look out of place in a "Tarzan" film, but that matters little to the wonderfully evocative efforts from director Wallace Worsley to enshrine this classical story of lust, power and sadness to film, with a narrative that emphasises more of the emotional aspects of the story than many of it's successors. Particularly effective is the use of light and staging (partly Parisian, partly Californian) too. 2ΒΌ hours may look long, but this positively flies by - rarely, if ever, making you want it to hurry up. Great stuff.

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