Blackmailed
Blackmailed

Blackmailed (1951)

2.7 ? Jan 30, 1951 1h 25m

Overview

A blackmailer is murdered, and those who witnessed the scene agree to keep quiet; the complication is that the scene is also witnessed by a young artist, a victim of blackmail as well. (BFI Website)

Genres

Crime Drama Thriller

Release Date

January 30, 1951

Rating

2.7 /10

Runtime

1h 25m

Mai Zetterling

Mai Zetterling

Mrs. Carol Edwards

Fay Compton

Fay Compton

Mrs. Christopher

Dirk Bogarde

Dirk Bogarde

Stephen Mundy

Robert Flemyng

Robert Flemyng

Dr. Giles Freeman

Michael Gough

Michael Gough

Maurice Edwards

James Robertson Justice

James Robertson Justice

Mr. Sine

Joan Rice

Joan Rice

Alma

Wilfrid Hyde-White

Wilfrid Hyde-White

Lord Dearsley

Cyril Chamberlain

Cyril Chamberlain

Police Constable

Harold Huth

Harold Huth

Hugh Sainsbury

Nora Gordon

Nora Gordon

Sine's Housekeeper

Charles Saynor

Police Constable - Giles' Car

Derrick Penley

Patrick

Peter Owen

Chief Printer

Dennis Brian

Sub-Editor

Arthur Hambling

Arthur Hambling

Inspector Canin

Shirley Wright

Mary

Bruce Seton

Bruce Seton

Supt. Crowe

Michael Ingham

Crowe's Assistant

Johnnie Schofield

Johnnie Schofield

Maurice's Taxi Driver

CinemaSerf avatar

CinemaSerf

6.0/10

Mar 02, 2025

This is quite a cleverly conceived drama that does ask us whether, ever, two wrongs might actually make a right. It’s after “Mary” (Shirley Wright) is involved in a road accident that hospital almoner “Mrs. Christopher” (Fay Compton) is called in to comfort the injured woman and finds herself charged with delivering an envelope. Inadvertently, she walks in on the nasty “Sine” (James Robertson Justice) in the middle of blackmailing a young woman. A scuffle ensues and next thing, she, “Carol” (Mai Zetterling) and “Dr. Freeman” (Robert Flemying) have quite an headache. That only gets worse when “Munday” (Dirk Bogarde) walks in on this lurid scene then promptly scarpers. With a police investigation imminent, the folks try to go about their day-to-day business only to find a series of seemingly unrelated incidents gradually and somewhat nervously brings them all together and facing a tough decision. It’s quite a good idea, this, but the execution is all rather bitty. At times it comes across as an amalgam of other Bogarde films only here serendipity plays maybe just too much of a role as we build to a vaguely comedic, convenient, denouement. There’s a bit more of a substantial role here for Michael Gough as the bed-ridden husband “Maurice” which he delivers quite well, but there’s little chemistry between Zetterling and Flemying and Compton seemed content to settle for offering us a gentle, softly lit, impersonation of Dame May Whitty. It was lost for a long time, apparently, which is quite curious given it’s cast but not so much given it’s substance.

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