Bitter Harvest
Bitter Harvest

Bitter Harvest (1963)

5.8 ? Mar 08, 1963 1h 31m

Overview

A pretty young woman will do anything to escape her deadly dull existence in the backlots of Wales. But when she reaches the bright lights of London is the price too high?

Genres

Drama

Release Date

March 08, 1963

Rating

5.8 /10

Runtime

1h 31m

Janet Munro

Janet Munro

Jennie

John Stride

John Stride

Bob

Thora Hird

Thora Hird

Mrs. Jessup

Alan Badel

Alan Badel

Karl

Vanda Godsell

Vanda Godsell

Mrs. Pitt

Norman Bird

Norman Bird

Mr. Pitt

Barbara Ferris

Barbara Ferris

Violet

Allan Cuthbertson

Allan Cuthbertson

Mr. Eccles

Terence Alexander

Terence Alexander

Andy

Colin Gordon

Colin Gordon

Charles

Anne Cunningham

Ella

Richard Thorp

Richard Thorp

Reg

Francis Matthews

Francis Matthews

Mike

William Lucas

William Lucas

Mr. Medwin

Daphne Anderson

Daphne Anderson

Mrs. Medwin

Derek Francis

Derek Francis

Mr. Jones

May Hallatt

May Hallatt

Aunt Sarah

Mary Merrall

Mary Merrall

Aunt Louisa

Nigel Davenport

Nigel Davenport

Police Inspector

CinemaSerf avatar

CinemaSerf

6.0/10

Feb 09, 2023

"Jennie" (Janet Munro) is fed up struggling through her mundane life in Wales, and so heads to the bright lights of London where she encounters the decent and loving "Bob" (John Stride). All goes well for them for a while, they are very much in love - but she has a bit of a restless spirit and when the manipulative "Karl" (Alan Badel) comes onto the scene it looks like it might be curtains for their idyllic relationship. The rest of this rather procedural drama is interspersed with some flashbacks that illustrate that the past life of "Jennie" is not without it's demons and slowly we begin to reconcile those with her aspirations for a better life. It's a rather disappointing melodrama this, with a cast that don't really gel very well and although Munro is enthusiastic enough on screen, the whole story has a rather predictable nature to it ending with a certain inevitability that I found rather obvious. Badel was always good as the rather sleazy character, and here he does steal what scenes he is in. Otherwise, though, this is an unremarkable drama that might have been provocative in 1963, but is not remotely now.

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