The Unfaithfuls
The Unfaithfuls

The Unfaithfuls (1953)

5.3 ? Feb 04, 1953 1h 35m

Overview

A group of "respectable" people are all partly responsible for the suicide of a servant girl. They are pounced upon by a wily blackmailer, who knows that these people will pay dearly rather than inform on themselves or others.

Genres

Comedy Drama

Release Date

February 04, 1953

Rating

5.3 /10

Runtime

1h 35m

Gina Lollobrigida

Gina Lollobrigida

Lulla Possenti

May Britt

May Britt

Liliana Capacci Rodgers

Pierre Cressoy

Pierre Cressoy

Osvaldo Dal Prà

Tina Lattanzi

Tina Lattanzi

Carla Bellaris

Carlo Romano

Carlo Romano

Commendator Giovanni Azzali

Irene Papas

Irene Papas

Luisa Azzali

Charles Fawcett

Charles Fawcett

Harry Rodgers

Paolo Ferrara

The Police Commissioner

Giulio Calì

Giulio Cantagalli

Margherita Bagni

Margherita Bagni

Marisa's Mother

Tania Weber

Tania Weber

L'amica di Lulla

Anna Maria Ferrero

Anna Maria Ferrero

Cesarina

Marina Vlady

Marina Vlady

Marisa

Juan Carlos Lamas

Juan Carlos Lamas

Carlo, l'autista - amante di Luisa

Ignazio Leone

Ignazio Leone

Policeman

Salvo Libassi

Salvo Libassi

The engineer

Carlo Mazzarella

Carlo Mazzarella

The Photographer

Nino Milano

Nino Milano

The Police Commissioner's Assistant

Mimmo Poli

Mimmo Poli

Scorza

Beniamino Fossati

CinemaSerf avatar

CinemaSerf

7.0/10

Mar 19, 2025

I really did quite enjoy the premise here. A wealthy fromagier is praying that his wife is having an affair so he employs an investigator to provide what ought to be a routine tailing exercise. He delegates this task to his junior “Osvaldo” (Pierre Cressoy) but it proves quite difficult because “Luisa” (Irene Papas) mixes in circles that he has no hope of accidentally gatecrashing. To that end, he cleverly utilises the services of an ex-girlfriend “Liliana” (May Britt) who is now mixing in vastly improved circles to help him gain entry to her exclusive clique. Just why does “Azzali” (Carlo Romano) want shot of his wife? Well it turns out that he’s got himself a new squeeze in the form of the impressionable young “Marisa” (Marina Vlady) who is barely out of nappies and so he is hopeful he can find grounds for divorcing her so he can have his cheese and eat it! It’s fairly safe to conclude that nobody in their group is especially decent, or faithful, and as the increasingly ghastly “Osvaldo” sinks his teeth into his task, we meet “Luila” (the sparingly used Gina Lollobrigida) who is also up to no good on the romantic front. Just who might be trustworthy almost this maelstrom of decadence, deceit and champagne? Well that dubious honour might possibly fall on the maid “Cesarina” (Anna Maria Ferraro) who finds herself the used plaything of accusers who make her life almost impossible. Can anyone intercede on her behalf, though? This is quite an indictment of the gentry and the nouveau riche at play. There’s isn’t enough honour to cover a flea, and the prevailing doctrine of do as I say and not as I do is well exemplified by the scene-stealingly obnoxious “Bellaris” (Tina Lattanzi) who just about eclipses the others. I thought it maybe a bit over-scripted as there were times when I’d have preferred them all to shut up and let me soak up the toxicity a little more, but it’s a solid story that is easy for us to invest in and that’s full of people you’d quite cheerfully shoot!

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