Between the Lines
Between the Lines

Between the Lines (1977)

5.1 ? Apr 27, 1977 1h 41m

Overview

The staff of the Back Bay Mainline, a Boston underground newspaper that rose to prominence in the 1960s, struggles with the shifting social climate of the '70s amid rumors that the paper is about to be sold to a media giant.

Genres

Comedy Drama

Release Date

April 27, 1977

Rating

5.1 /10

Runtime

1h 41m

Official Trailer from YouTube

John Heard

John Heard

Harry

Lindsay Crouse

Lindsay Crouse

Abbie

Jeff Goldblum

Jeff Goldblum

Max

Jill Eikenberry

Jill Eikenberry

Lynn

Bruno Kirby

Bruno Kirby

David

Gwen Welles

Gwen Welles

Laura

Stephen Collins

Stephen Collins

Michael

Lewis J. Stadlen

Lewis J. Stadlen

Stanley

Jon Korkes

Frank

Michael J. Pollard

Michael J. Pollard

The Hawker

Lane Smith

Lane Smith

Roy Walsh

Joe Morton

Joe Morton

Ahmed

Richard Cox

Richard Cox

Wheeler

Marilu Henner

Marilu Henner

Danielle

Raymond J. Barry

Raymond J. Barry

Herbert Fisk

Gary Springer

Jason

Susan Haskins

Sarah

Charles Levin

Charles Levin

Paul

Guy Boyd

Guy Boyd

Austin

Martha Deignan

Cora

CinemaSerf avatar

CinemaSerf

6.0/10

Apr 20, 2023

The twenty-something staff of the erstwhile quite radical newspaper "Mainline" are struggling to keep their work relevant as the 1970s give way to the 1980s. I don't know if anyone remembers a television drama called the "Paper Chase" (1973) but a lot of the style and characterisations of that film are reminiscent here. Young people trying to make their own way, defiantly trying to hold on to values and commitments that may be largely on the wain. The thing with this, for me anyway, was I found them all rather shallow and selfish. The combination of their working and social lives are presented in a fashion that is very, very, verbose. Why use one word when you can use eight? As the story drifts along, I felt less and less interested in the characters and their semi-comic antics and started to notice silly continuity errors - that wouldn't ordinarily matter - and to focus more on the tangential aspects of the film - the big collars, bell-bottom jeans - all the things I used to remember from "Starsky and Hutch". Maybe the fact that I'm not an American means that this Bostonian story of intellectual maturity and liberating camaraderie doesn't resonate in the same way - because I found this all rather dull. Will their newspaper be subsumed into a bigger, commercial, enterprise? Well at the start I hoped not, but by the middle I was indifferent.

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