Fiddler on the Roof
Fiddler on the Roof

Fiddler on the Roof (1971)

7.7 ? Nov 03, 1971 3h 1m

Overview

In a pre-revolutionary Russia, a poor Jewish milkman struggles with the challenges of a changing world as his daughters fall in love and antisemitism grows.

Genres

Drama Romance

Release Date

November 03, 1971

Rating

7.7 /10

Runtime

3h 1m

Official Trailer from YouTube

Chaim Topol

Chaim Topol

Tevye

Norma Crane

Norma Crane

Golde

Leonard Frey

Leonard Frey

Motel

Molly Picon

Molly Picon

Yente

Paul Mann

Paul Mann

Lazar Wolf

Rosalind Harris

Rosalind Harris

Tzeitel

Michele Marsh

Hodel

Neva Small

Neva Small

Chava

Paul Michael Glaser

Paul Michael Glaser

Perchik

Ray Lovelock

Ray Lovelock

Fyedka

Elaine Edwards

Elaine Edwards

Shprintze

Candy Bonstein

Candy Bonstein

Bielke

Shimen Ruskin

Shimen Ruskin

Mordcha

Zvee Scooler

Zvee Scooler

Rabbi

Louis Zorich

Louis Zorich

Constable

Alfie Scopp

Avram

Howard Goorney

Howard Goorney

Nachum

Barry Dennen

Barry Dennen

Mendel

Vernon Dobtcheff

Vernon Dobtcheff

Russian Official

Ruth Madoc

Ruth Madoc

Fruma Sarah

CinemaSerf avatar

CinemaSerf

7.0/10

May 29, 2023

Topol ("Tevye") is superb in this telling of a tale of an agrarian Jewish father in late 19th century Russia who has three daughters. The basic premiss is that he has to arrange suitable "matches" for them. With the aid of some classic numbers like "Matchmaker" & "If I was I Rich Man" we share his experiences and adventures as he attempts, with varying degrees of success, to find suitable husbands for his girls. Set against a backdrop of religious intolerance, and ultimately a pogrom, this is a clever, engaging depiction of the harsh conditions endured by rural Russians in general and the Jewish community specifically. Norman Jewison contrives to reconcile sometimes quite brutal stories of religious prejudice with a defiantly gentle, joyful communal spirit in a thought-provoking and personable fashion. Jerry Bock's instantly recognisable score - based around a delicate, witty and entertaining lyric from Sheldon Harnick makes this as good as any of the genre and although it does drag a bit at the start of the second act, it passes the three hour mark with considerable style.

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