Komang
Komang

Komang (2025)

7.3 ? Mar 31, 2025 1h 47m

Overview

Fate brought together Ode, a young man from Buton with big dreams, and Ade, a wanderer from Bali. Like two souls in love, they believed that fate would one day unite them. However, their journey was hindered by the presence of another man who shared the same faith as Ade, and Ode had to go to Jakarta to pursue his dreams. Will fate ultimately bring Ode and Ade together?

Genres

Drama Romance

Release Date

March 31, 2025

Rating

7.3 /10

Runtime

1h 47m

Official Trailer from YouTube

Aurora Ribero

Aurora Ribero

Komang

Kiesha Alvaro

Kiesha Alvaro

Raim Laode

Adzando Davema

Adzando Davema

Arya

Ayu Laksmi

Ayu Laksmi

Meme

Arie Kriting

Arie Kriting

Boy

Cut Mini

Cut Mini

Ode's Mother

Mathias Muchus

Mathias Muchus

Ode's Father

Arman Dewarti

Father Two

Neneng Wulandari

Neneng Wulandari

Ola

Raim Laode

Raim Laode

Husni

Oki DM

Ican

Muhammad Rizky

Maman

Rhesa Putri

Rhesa Putri

Kadek

Azkya Mahira

Azkya Mahira

Little Komang

Sulthan Hamonangan

Sulthan Hamonangan

Little Ode

Jonathan Alvaro

Teen Boy

Najla Sulistyo Putri

Najla Sulistyo Putri

Little Kadek

Shabira Alula Adnan

Rini

Anggika Bölsterli

Anggika Bölsterli

Music Producer #1

Pevita Pearce

Pevita Pearce

Music Producer #2

C

Call Me Dunham

7.0/10

Dec 15, 2025

Overall, this film feels quite clichéd, both in its story and execution. There are many moments that feel off, especially in the way the supporting characters are written. One clear example is Arya, who comes across as nothing more than a narrative device—someone who exists simply to give Raim an obstacle to overcome. Beyond that, his character doesn’t really go anywhere. As a result, Arya feels insignificant, especially when the real barrier to the relationship is actually religion. His character could have been explored more deeply, rather than just being portrayed as another man in love with Komang and a hindrance to Raim. Another major issue appears in the third act, which feels extremely rushed. One moment that stands out is when Komang suddenly decides not to go through with the marriage, justified only by the film stating that she “doesn’t love him.” I think this decision needed a much stronger build-up—whether through showing Arya’s struggle more clearly or developing Komang’s internal conflict—so her choice would feel earned and emotionally convincing. Because this part is underdeveloped, the audience’s empathy toward the characters becomes shaky and unfocused. Visually, several shots also feel ineffective. Many scenes come across as merely documenting events rather than telling a story or carrying emotional weight. That said, the film isn’t outright bad. It just feels undercooked in many areas, with several elements that could have worked much better if they had been developed and polished more carefully.

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