3 Men and a Little Lady
3 Men and a Little Lady

3 Men and a Little Lady (1990)

5.9 ? Nov 21, 1990 1h 44m

Overview

Sylvia's work increasingly takes her away from the three men who help bring up Mary, her daughter. When she decides to move to England and take Mary with her, the three men are heartbroken at losing the two most important women in their lives.

Genres

Family Comedy

Release Date

November 21, 1990

Rating

5.9 /10

Runtime

1h 44m

Official Trailer from YouTube

Tom Selleck

Tom Selleck

Peter Mitchell

Steve Guttenberg

Steve Guttenberg

Michael Kellam

Ted Danson

Ted Danson

Jack Holden

Nancy Travis

Nancy Travis

Sylvia Bennington

Robin Weisman

Robin Weisman

Mary

Christopher Cazenove

Christopher Cazenove

Edward

Sheila Hancock

Sheila Hancock

Vera

Fiona Shaw

Fiona Shaw

Miss Lomax

Jonathan Lynn

Jonathan Lynn

Vicar Hewitt

Sydney Walsh

Sydney Walsh

Laurie

Patricia Gaul

Patricia Gaul

Mrs. Walker

John Boswall

Barrow

Lynne Marta

Morgan School Teacher

Edwina Moore

Dr. Robinson

Edith Fields

Mrs. Head

Darcy Pulliam

Waitress

Rosalind Allen

Rosalind Allen

Pretty Girl

Bryan Pringle

Bryan Pringle

Old Englishman

Ian Redford

Ian Redford

English Farmer

Charles David Richards

Charles David Richards

Stagehand

CinemaSerf avatar

CinemaSerf

5.0/10

Dec 31, 2023

Despite the best efforts of Fiona Shaw as the sex-maniac "Miss Lomax" this is really a rather poor follow-up to the original. The child, "Mary" - who is now five (clearly nobody realised that 1990-1987 = well, not five, anyway) has relocated with her mother "Sylvia" (the shockingly wooden Nancy Travis) to live in the UK with fiancé and film director "Edward" (Christopher Cazenove). Of course "Jack" (Ted Danson), "Michael" (Steve Guttenburg) and "Peter" (Tom Selleck) start to miss their playful little wean - with one of them also realising just how madly in love he is with her mother. They have to get to Britain urgently to thwart the nuptials and to get "Mary", the spoilt and very annoying "Mary", back from the clutches of their cut-glass speaking rival. Someone, somewhere, clearly decided that giving this nonsense a British slant might increase it's appeal - to, at least, open up an whole new slew of stereotypes for it to bash. If it's not the accents, it's the doddery curate or the motor-cycle and sidecar - indeed nothing is off limits as this plunders the puerile and contrived to string out this weakest of storylines for almost 1¾ hours of increasingly cringemaking "comedy". The proposed wedding scene at the conclusion just needed a gattling gun after about ten minutes. Sorry, perhaps I just wasn't in the mood but I didn't love the first of these and this is a poor relation. Please. No more!!

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