Love Among the Ruins
Love Among the Ruins

Love Among the Ruins (1976)

6.9 ? Apr 12, 1976 1h 40m

Overview

An aging actress and socialite, Jessica Medlicott has ended her engagement with a younger man and is now being sued by her former fiancé. Esteemed barrister Sir Arthur Glanville-Jones is assigned to represent Jessica in the lawsuit, and he also happens to be an old suitor of hers from decades earlier. While Jessica claims not to remember him, and Arthur still smarts from her earlier rejection, the two form a close bond during the case.

Genres

Drama Romance TV Movie Comedy

Release Date

April 12, 1976

Rating

6.9 /10

Runtime

1h 40m

Katharine Hepburn

Katharine Hepburn

Jessica Medlicott

Laurence Olivier

Laurence Olivier

Sir Arthur Glanville-Jones

Richard Pearson

Richard Pearson

George Druce

Colin Blakely

Colin Blakely

J.F. Devine

Joan Sims

Joan Sims

Fanny Pratt

Leigh Lawson

Leigh Lawson

Alfred Pratt

Gwen Nelson

Hermione Davis

Robert Harris

Robert Harris

The Judge

Peter Reeves

Maiden

John Blythe

John Blythe

Tipstall

Arthur Hewlett

Arthur Hewlett

The Usher

John Dunbar

Clerk of the Court

Ian Sinclair

Ian Sinclair

Pratt's Solicitor

Mervyn Pascoe

1st Barrister

Colin Thomas

2nd Barrister

Lincoln Wright

3rd Barrister

Edward Arthur

4th Barrister

John Bromley

5th Barrister

Leslie Southwick

6th Barrister

Stanley Platts

Foreman of the Jury

CinemaSerf avatar

CinemaSerf

7.0/10

Jan 10, 2024

Katharine Hepburn is on sparkling form as "Jessica"; an elderly widow who is being sued for breach of promise by her toy-boy ex-fiancée. She seeks the legal services of veteran Sir Arthur Glanville-Jones (a superbly entertaining Sir Laurence Olivier) without realising - as he most certainly does - that they had a romantic past some years earlier in Canada. The ensuing court room drama provides the perfect setting for the legal antics as he tries to win the case for her - and to save her fortune and reputation - but also for the battle between the two former lovers as they, frequently sparkily, put their personal lives in order. The two stars are exactly that, and working with a witty and clever script under the creatively indulgent eye of George Cukor, it is hard to see how it could go wrong - and it doesn't! It's quite astonishing how rarely this sees the light of day these days, but if it does then give it a go - a great opportunity to see great acting delivering from a strong script from James Costigan with plenty of charisma on the screen and a typically charming John Barry score.

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