Trevor
Trevor

Trevor (1994)

6.8 ? Jan 20, 1994 0h 18m

Overview

Upon hitting puberty, a high school boy realizes that he is homosexual and faces prejudice from his homophobic parents and friends.

Genres

Comedy Drama

Release Date

January 20, 1994

Rating

6.8 /10

Runtime

0h 18m

Brett Barsky

Trevor

Judy Kain

Judy Kain

Trevor's Mom

John Lizzi

John Lizzi

Trevor's Dad

Jonah Rooney

Pinky Farraday

Stephen Tobolowsky

Stephen Tobolowsky

Father Joe

Cory M. Miller

Jack

Allen Dorane

Walter Stiltman

Lindsay Pomerantz

Cathy Quinn

Alicia Anderson

Mary Zapatelli

Courtney Dornstein

Francine Antoniello

Ken Sale

Bus Driver

Lucas Jansen

Pinky's Gang Member

Shannon La Beach

Pinky's Gang Member

John Akopyan

Pinky's Gang Member

Frank Montes

Pinky's Gang Member

Rebekah Russell

Extra (uncredited)

William Scott Brown

Mr. Kienast (uncredited)

Brad Spencer

Cop (uncredited)

CinemaSerf avatar

CinemaSerf

7.0/10

Jan 01, 2026

Although there are undoubtedly some more serious undercurrents for this short drama, it’s carried off with an engaging light-heartedness that does raise a smile. Did you know, for example, that there is a direct correlation between getting your sperm on your hands and then going deaf (as well as blind, I presume)? “Trevor” (Brett Barsky) is really just your average teenage lad struggling to get any attention from his parents. His school life isn’t much better until he is befriended by baseball heart-throb “Pinky” (Jonah Rooney). Things are on the up, and he even starts listening to the more upbeat tracks from his Diana Ross collection. Unfortunately, he mistakenly confides his adulation for his new best pal with “Walter” (Allen Dorane) and next thing he is being shunned by everyone and given the ultimate in embarrassing life lectures by their local curate. Oh dear! Now we are back to “Endless Love” and some drastic action. What next? It’s told using a quite amusing “Dear diary” confessional style alongside an entertaining effort from Barsky as his character deals with every trauma as if it were to be his last, but without ridiculing the significance to a young gay lad of finding his own sexuality amidst a society at best ignorant, at worst more cruel. It’s the fact that it’s message is delivered more subtly that works better here, and there’s food for thought here for a world of folks called “Trevor”, their friends and parents alike.

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